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2-way bass-reflex bi-amplified nearfield studio monitor
₹48,000.00
16-channel Analog Automation System with Digital Control
₹148,724.00
Stereo/Dual Mono Bus Compressor with Digital Control
₹231,395.00
₹242,648.00
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1-channel Tube Compressor, with Side-chain Highpass Filter and Stereo Link Capability
₹128,056.00

AMS Neve

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1608-II - Single audio path console
₹0.00
8 Analog Channel Recording Console
₹0.00
Neve classic sound using Class A topology
₹0.00
16 Analog Channel Recording Console
₹0.00
500-series compatible mono limiter/compressor
₹0.00
Legendary Class A transformer based mic preamp and EQ
₹0.00
Legendary Class A transformer based mic preamp and EQ
₹0.00
Class A, transformer based mic preamp and 3 band EQ
₹0.00
Neve Genesys Analogue Design Console with DAW Control (Neve Genesys Analogue Design Console with DAW Control)

Neve Genesys Analogue Design Console with DAW Control

The 1608-II is a single audio path console, having only one audio path per channel.

The AMS Neve Genesys, hand-built in Neve's UK factory, combines superb analogue design and true Neve preamp circuitry with hands-on DAW control and connectivity for Pro Tools, etc. And it’s modular, meaning you don’t have to wait until you can afford the full 64-fader system to become a Neve-equipped studio. In its basic 16-fader configuration you get 16 channels of mic/line preamps plus 16 channels of DAW mixing and 32-channel analogue summing at mixdown. And eight auxiliary buses, and eight group buses. And 5.1 monitoring.

There’s a ‘classic Neve’ look and feel to the controls, but take a closer look and you’ll see they’re ultra modern too: every switch is ‘soft’. The benefits go far beyond letting you customize your set up to suit the way you work. It also means every routing decision and every switch setting can be saved and instantaneously reset. Add the legendary sounding Neve analogue EQ and dynamics cassettes and you can instantly recall these settings too. Just think of the reconfiguration time that saves when you’re juggling multiple projects in your studio.

Neve Genesys key features:
  • 16 channels of Neve 1073 mic pre/line amplifiers
  • 16 channel DAW monitoring
  • Total Reset & Total Recall
  • Motorized faders with Encore Automation
  • Remote mic amp control
  • 6 Auxes (4 mono and 2 stereo)
  • 8 groups
  • 2 main outs
  • 4 effects returns
  • 16ch, 8t, 2t and monitor metering
  • 5.1 mixing & monitoring
  • 2 cue mixes
  • Full talkback capability
  • Internal PSU
  • USB stick store, load & reset
  • Hands-on DAW control for Pro Tools, etc.

1608-II - Single audio path console
₹0.00
Neve Genesys Black G16 - 24 Fader (Neve Genesys Black G16 - 24 Fader)

Neve Genesys Black G16 - 24 Fader, 8 Analog Channel Recording Console with Integrated DAW Display

Give your recordings the legendary Neve sound, with the digitally controlled Genesys Black Recording Console.

The Neve Genesys Black G16 is a digitally controlled analogue recording console with total integration with the studio environment and the digital audio workstations of your choice. Including legendary microphone preamplifiers and highly revered analogue circuit design, the extensive digital control and connectivity puts Genesys Black at the creative heart of your studio. To start, Genesys Black offers 8 channels of 1073 mic/line preamps, 16-channels DAW/Tape monitoring, hands-on DAW control for Pro Tools, Nuendo and more, 8 channels of Neve digitally controlled analogue 4-band EQ and channel A/D/D/A conversion via MADI, AES and FireWire formats.

A central integrated DAW display, 8 auxiliary buses, 8 group buses, 2 main outputs, 4 effects returns, comprehensive metering, 5.1 monitoring, 2 cue mixes, talkback services and an integrated footprint with internal power supply provides all the power you need.

Genesis Black G16 Configuration

  • 8 channels of Neve 1073 mic pre/line amplifiers
  • 16 channel DAW monitoring
  • Dedicated DAW control section with integrated DAW display (touch-HD or adjustable QHD)
  • Total Reset & Total Recall
  • Motorized Analogue/DAW control faders
  • 8 channels of Neve 88R-style, 4-band EQ
  • 8 channels of A/D/D/A (FireWire/AES/MADI)
  • 8 Auxes (4 mono and 2 stereo)
  • 8 groups, 2 main outs
  • 4 stereo effects returns
  • Channel, DAW, 8t, 2t and monitor metering
  • 5.1 mixing & monitoring
  • 2 cue mixes
  • Full talkback capability
  • Internal PSU
  • USB stick store, load & reset

Genesys Black In Depth

Genesys Black, hand-built in Neve's UK factory, combines superb analog design and true Neve preamp circuitry with hands-on DAW control and connectivity for Pro Tools, etc. And it's modular, meaning you don't have to wait until you can afford the full 48-fader system to become a Neve-equipped studio. In its basic 8-channel configuration you get 8 channels of mic/line preamps plus 16 channels of DAW control and 16-channel analog summing at mixdown. And eight auxiliary buses, and eight group buses. And 5.1 monitoring.

There's a 'classic Neve' look and feel to the controls, but take a closer look and you'll see they're ultra modern too: every switch is 'soft'. The benefits go far beyond letting you customize your set up to suit the way you work. It also means every routing decision and every switch setting can be saved and instantaneously reset. You can also instantly recall the settings of the fitted digitally controlled, analogue Neve EQ (88RS 4-band or optional Neve 1084 EQ) and optional Neve VCA-style dynamics too. Just think of the reconfiguration time that saves when you're juggling multiple projects in your studio.

Scalability Options

Want more? As your business expands (as it surely will – just mention Neve) so can your Genesys Black, all the way up to a 48-fader, 96-input powerhouse. Other options include upgrading to digitally controlled, analogue Neve1084 Classic EQ, VCA-style digital control of analogue dynamics and Neve A/D/D/A converters for the monitoring section.

  • Scalability Options
  • Expandable to 48 channels (96 inputs)
  • A/D and D/A input/output for Monitor section
  • Upgrade to digitally controlled, analogue Neve Classic 1084 EQ
  • Digitally controlled, analogue Dynamics (VCA style)
  • 700mm wide Producer's section
8 Analog Channel Recording Console
₹0.00
Neve BCM10/2 Mk2 10-Channel Analogue Console (Neve BCM10/2 Mk2 10-Channel Analogue Console)

Neve BCM10/2 Mk2 10-Channel Analogue Console

The BCM10/2 is powered by Neve 1073 mic pre’s and EQ along with its 1272 summing mixers it’s guaranteed to delight the most demanding ear.

The classic and legendary Neve BCM10 console has become a connoisseur’s favorite in recent years for use as a sidecar for larger studios. Powered as it is by Neve 1073 mic pre’s and EQ along with its 1272 summing mixers it’s guaranteed to delight the most demanding ear.
Given the scarcity of these treasured classic consoles and their suitability for up to the minute techniques of recording with workstations, the BCM10 is an ideal partner as a main console in such a set-up.
Therefore Neve designers are proud to announce the BCM10/2 MK2 with all the revered design, genuine Neve modules and sound, yet with additional convenience features for modern day recording and utilizing the new 1952 switching unit – all adding up to a blissful recording experience.
Neve BCM10/2 Mk2 key features:
  • Neve classic sound using Class A topology
  • Console sizes: 10,16,24 or 32 channels
  • 1073N microphone preamp and EQ module in each channel
  • Classic voltage mixing using 1272 balanced mixing topology
  • 2x 500-series slots fitted with Neve 2264ALB compressors, patchable or selectable across the Mix Bus
  • Direct outputs on every channel selectable pre or post channel insert
  • Simple Input to each channel doubles the mix inputs when mixing and also allows monitor and cue mixes
  • 4x Auxes, 1x Stereo Cue, 1x Stereo Main Mix Bus
  • Stereo and 5.1 monitor with passive 24 position gold plated monitor level control
  • 3x Stereo & 1x 5.1 selectable loudspeaker output sets
  • Comprehensive Solo system with destructive and safe/isolate modes
  • 2x Stereo reverb returns with width, mono and balance controls & 2x mono DI to bus inputs
  • Main Mix output insertion selectable pre or post fade with IMR (Insert Mix Return) parallel processing controls
  • 25-way D-sub connectivity for easy installation into home or studio environments
  • Optional side car stand on castors

AMS Neve BCM10/2 Mk2—Beneath the Surface

After decades of requests from audio professionals and witnessing a feeding frenzy in the vintage markets for old BCM10/2s, AMS Neve answered the call with the recording-oriented BCM10/2 Mk2—and then upped the ante with 16-, 24-, and 32-channel configurations, optional patchbay, mix-bus compression, aux sends, 5.1 monitoring, and more. If you’re looking for a no-frills, “just the fact’s ma’am” type of console with the world’s best-sounding preamps and EQs, this is the desk for you. With 24 channels of 1073N preamps, plus the ability to upgrade to 1073 Classic and 1084 Classic preamp/EQs, the BCM24/2 Mk2 gives you all the analog sound and fury that 1s and 0s just can’t compete with.

BCM10/2 Mk2 options

To make the BCM10/2 Mk2 studio friendly or more than just a sidecar, AMS Neve offers a number of options:

  • 10, 16, 24 or 32 channel configurations
  • Neve 1073N mic preamps fitted as standard, upgrade to 1073 Classic or 1084 Classic on specified channels
  • Pair of loudspeaker shelves – mount on top of the console
  • Sidecar stand with lockable castors (32-fader stand has fixed feet)

PAD For the RecordThe simple truth is that analog consoles can do things that can’t be done by mouse or control surface. One such function is riding input faders—the secret to tracking superstar vocals and making a mix percolate with excitement. As any industry pro will tell you, riding faders will always sound better than compression, since there are no artifacts, no raised noise floor, and no loss of transients. Plus, you can anticipate wide dynamic swings where a compressor can only respond after the fact. Yes, it’s risky, but that’s what separates the pros from the wannabes: rising to the occasion and daring to be great. Another reason to go analog is that pulling back a DAW fader changes the sound, as mixers such as Chris Lord-Alge and Alan Sides will confirm. Lowering volume on a digital fader reduces word-length and subsequently resolution, which changes the makeup of the sound (it gets fuzzy). Whereas in analog, the signal maintains its texture and punch, while the integrity of its wave shape stays intact regardless of level.

PAD Tech Note: Neve 1066, 1073, 1081, and 1084; what’s the difference?

In the early seventies, Neve consoles were modular enabling studios to choose their channel count. The 10-series preamp/EQ modules, which included the 1066, 1073, 1081, 1084, and 1072 line amp were built to populate 80-series consoles. They all share the same input and output stages, but differ in terms of equalizer bands having different center frequencies and slopes. The concept was to offer engineers a variety of EQ options while maintaining sonic consistency throughout the desk. In essence, with the exception of the 1072, which was designed for the gain makeup of the summing matrix, they are all essentially the same preamp with different EQs.

Hybrid mixing with the BCM10/2 Mk2—the best of both worlds

If repeatability is an essential part of your workflow due to client change-requests coming days or weeks after a mix is finished, you can still use a stellar-sounding analog desk for summing or stem mixing. Just set your faders at -20dB, send your stems to the console, and do your automation in the DAW. Even if you route to some outboard, it’s still much easier to recall a mix than if you did everything in the analog domain—and with a BCM10/2, you get the benefits of all those custom Neve transformers warming and widening your mix.

Another benefit of going through a console is that you don’t have to be as careful with your track levels in the DAW. Once you have your sound, red lights be damned (especially with 32-bit floating-point processing). Just make sure you’re not losing your tops, watch levels going back into the DAW, and Bob’s your uncle.

At the end of the day, it’s sound quality, emotion, and human interaction that makes great music—something that crunching numbers in a no-risk environment just can’t stand up to. If you want to make records the way records should be made, there’s no substitute for a great-sounding console and the ability to mix like you’re playing an instrument.

Neve classic sound using Class A topology
₹0.00
Neve Genesys Black G32 - 32 Fader (Neve Genesys Black G32 - 32 Fader)

Neve Genesys Black G32 - 32 Fader, 16 Analog Channel Recording Console with Integrated DAW Display

Give your recordings the legendary Neve sound, with the digitally controlled Genesys Black Recording Console.

The Neve Genesys Black  G32 is a digitally controlled analogue recording console with total integration with the studio environment and the digital audio workstations of your choice. Including legendary microphone preamplifiers and highly revered analogue circuit design, the extensive digital control and connectivity puts Genesys Black at the creative heart of your studio. To start, Genesys Black offers 16 channels of 1073 mic/line preamps, 16-channels DAW/Tape monitoring, hands-on DAW control for Pro Tools, Nuendo and more, 16 channels of Neve digitally controlled analogue 4-band EQ and channel A/D/D/A conversion via MADI, AES and FireWire formats.

A central integrated DAW display, 8 auxiliary buses, 8 group buses, 2 main outputs, 4 effects returns, comprehensive metering, 5.1 monitoring, 2 cue mixes, talkback services and an integrated footprint with internal power supply provides all the power you need.

Genesis Black G16 Configuration

  • 16 channels of Neve 1073 mic pre/line amplifiers
  • 16 channel DAW monitoring
  • Dedicated DAW control section with integrated DAW display (touch-HD or adjustable QHD)
  • Total Reset & Total Recall
  • Motorized Analogue/DAW control faders
  • 16 channels of Neve 88R-style, 4-band EQ
  • 8 channels of A/D/D/A (FireWire/AES/MADI)
  • 8 Auxes (4 mono and 2 stereo)
  • 8 groups, 2 main outs
  • 4 stereo effects returns
  • Channel, DAW, 8t, 2t and monitor metering
  • 5.1 mixing & monitoring
  • 2 cue mixes
  • Full talkback capability
  • Internal PSU
  • USB stick store, load & reset

Genesys Black In Depth

Genesys Black, hand-built in Neve's UK factory, combines superb analog design and true Neve preamp circuitry with hands-on DAW control and connectivity for Pro Tools, etc. And it's modular, meaning you don't have to wait until you can afford the full 48-fader system to become a Neve-equipped studio. In its basic 8-channel configuration you get 8 channels of mic/line preamps plus 16 channels of DAW control and 16-channel analog summing at mixdown. And eight auxiliary buses, and eight group buses. And 5.1 monitoring.

There's a 'classic Neve' look and feel to the controls, but take a closer look and you'll see they're ultra modern too: every switch is 'soft'. The benefits go far beyond letting you customize your set up to suit the way you work. It also means every routing decision and every switch setting can be saved and instantaneously reset. You can also instantly recall the settings of the fitted digitally controlled, analogue Neve EQ (88RS 4-band or optional Neve 1084 EQ) and optional Neve VCA-style dynamics too. Just think of the reconfiguration time that saves when you're juggling multiple projects in your studio.

Scalability Options

Want more? As your business expands (as it surely will – just mention Neve) so can your Genesys Black, all the way up to a 48-fader, 96-input powerhouse. Other options include upgrading to digitally controlled, analogue Neve1084 Classic EQ, VCA-style digital control of analogue dynamics and Neve A/D/D/A converters for the monitoring section.

  • Scalability Options
  • Expandable to 48 channels (96 inputs)
  • A/D and D/A input/output for Monitor section
  • Upgrade to digitally controlled, analogue Neve Classic 1084 EQ
  • Digitally controlled, analogue Dynamics (VCA style)
  • 700mm wide Producer's section
16 Analog Channel Recording Console
₹0.00
AMS Neve 1084 Classic Mono Module - Mic Pre, HF & LF Filter (AMS Neve 1084 Classic Mono Module - Mic Pre, HF & LF Filter)

AMS NEVE 1084 CLASSIC MONO MODULE - MIC PRE, HF & LF FILTER

Occupying a special place in the imagination of engineers and producers, the Neve 1084 delivers an incredibly fat, smooth sound. While the 1084 builds on the same basic design of the world-famous 1073, it offers a significantly different palette of frequency selections. The 1084 also features a "Q" switch, allowing the user to choose between two different Q types, either narrow or wide with respect to the parametric band. These added features and the 1084’s extended versatility make it a preference over the 1073. 

The 1084’s three EQ bands provide selectable frequency, with cut and boost capability, and a mid-frequency band which benefits from a High Q Presence switch. The high pass filter can be switched between 45Hz, 70Hz, 160Hz & 360Hz, and the low pass filter between 6kHz, 8kHz, 10kHz, 14kHz, & 18kHz. Both boast 18dB per octave slopes.

The 1084 Classic module is designed to perfectly retrofit into the 80 Series Neve Classic consoles as part of a channel strip or can be mounted in a custom rack.

Handcrafted and completely hand wired in Burnley, UK by Neve’s dedicated professionals, the 1084 reissue has been reproduced to the exact specifications of the original modules. 

Where innovation has improved on previous technology, Neve has welcomed such improvements. However, not all things lend themselves to enhancement. Example: audio transformers. While other manufacturers use replacements, AMS Neve alone has access to the original hand-wound transformers. This is an important factor when you consider that an analogue preamp is only as good as its transformer. That is why only a Neve sounds like a Neve.

All Neve mic preamplifiers are designed to accept signals from a wide range of microphone and line sources. Uncompromisingly low noise and distortion with generous overload performance are noteworthy hallmarks of all Neve products.

AMS NEVE 1084 CLASSIC MONO MODULE FEATURES

  • Classic Neve transformer mic preamplifier with wide range of equaliser settings 
  • 3 switchable EQ bands  
  • Hand crafted and tested precisely to original 1970 design  
  • HP and LP filters with High Q setting  
  • Transformer-balanced and earth free inputs and outputs 
  • Output: Maximum output >+26dBu into 600 ohms. Output impedance is 75 ohms @1kHz. 
  • Distortion: Not more than 0.07% from 50Hz to 10kHz at +20dBu output 
  • Freq. Response: +/-0.5dB 20Hz to 20kHz, -3dB at 40kHz. EQ Out. 
  • Noise: Not more than -83dBu at all Line gain settings EQ In/Out

AMS NEVE 1084 CLASSIC MONO MODULE SPECIFICATIONS

Mic Amplifier Section:

  • Microphone Input: Input impedance 300 Ohms or 1200 Ohms, gain +80dB to +20dB in 5dB steps.Input is transformer balanced and earth free.
  • Line Input: Input impedance 10K Ohms bridging, gain +20dB to -10dB in 5dB steps.Input is transformer balanced and earth free.
  • Output: Maximum output is >+26dBu into 600 Ohms. Output impedance is 75 Ohms @ 1kHzOutput is transformer balanced and earth free.
  • Distortion: Not more than 0.07% from 50Hz to 10kHz at +20dBu output (80kHz bandwidth) into 600 Ohms
  • Frequency Response: +/-0.5dB 20Hz to 20kHz, -3dB at 40kHz, EQ out.
  • Noise: Not more than -83dBu at all Line gain settings, EQ In/Out (22Hz to 22kHz bandwidth)
  • EIN: Better than -125dBu @ 60dB gain.

EQ Section:

  • High Frequency: Smooth +/- 16dB shelving with selectable frequencies of 10kHz, 12kHz and 16kHz
  • Mid Frequency: Smooth +/- 12dB or +/- 18dB peaking with switchable 'High Q', selectable centre frequencies of 0.35kHz, 0.7kHz, 1.6kHz, 3.2kHz, 4.8kHz & 7.2kHz
  • Low Frequency: Smooth +/- 16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz and 220Hz
  • High Pass Filter: 18dB per octave slope, switchable between 45Hz, 70Hz, 160Hz & 360Hz
  • Low Pass Filter: 18dB per octave slope, switchable between 6kHz, 8kHz, 10kHz, 14kHz & 18kHz
  • EQL Button: Switches the equaliser in or out of circuit.
  • Phase Button: Gives 180 degree phase change at balanced output

Module Dimensions:

  • Width: 45mm (1.8 inches)
  • Height: 222mm (8.75 inches)
  • Depth: 254mm (10 inches)
  • Approx. Weight: 2.5kg (5.5 pounds)
Mic Preamp
₹0.00
AMS Neve 2264ALB mono limiter/comp 500-Series module (AMS Neve 2264ALB mono limiter/comp 500-Series module)

AMS NEVE 2264ALB MONO LIMITER/COMP 500-SERIES MODULE

The Neve 2264ALB is a 500-series compatible mono limiter/compressor crafted in England by Neve engineers. The 2264ALB retains the original 2264A’s unique sonic characteristics by using the same architecture, matching components and original hand-wound transformers and adds new features: a Signal Presence indicator LED and a Slow Attack option. And it delivers it in a modern and portable form-factor which professional producers and engineers demand.

Simply install into an empty slot in your compatible 500-series rack, connect your line level signals and inject the legendary Neve dynamic sound into your audio creations. And it's the perfect pairing for the incredible Neve 1073LB microphone pre amp module. The 2264ALB module can be inserted between the input and output stages of the 1073LB module, creating an all-new Neve classic audio path.

Originally designed in 1974, the Neve 2264A mono Limiter/Compressor unit quickly became a legend. Delivering similar facilities and performance as the earlier 2254 Limiter/Compressor type, it did so despite being packaged in a more compact form-factor. Discrete, Class A/B design and transformer-coupled circuits used in the input, innovative bridge-driver design, side-chain and output stages ensured a totally unique sound. The original 2264A units are still sought after, decades after production stopped, and they remain one of the milestone pieces of studio equipment. 

NEVE 2264ALB FEATURES

  • Classic mono Limiter/Compressor, available in a 500-series format
  • Transformer-coupled circuits used in Input, Bridge-driver, Side-chain and Output stages
  • Independent Limiter and Compressor IN/OUT selectors
  • BYPASS switch connects input terminals directly to output terminals
  • Slow Attack switch changes between classic 2264A attack settings and new Slow Attack setting for buss compression work
  • Digital LED meter with approximate PPM ballistics indicates 0dB to 20dB of gain reduction
  • Audio Processing Insert design allows the audio to/from the 2264ALB module to be inserted into the audio path of an existing 1073LB module (modules must be fitted in the same LunchboxTM)
  • Fully screened module, packaged in Mu-metal case helps eliminate stray electromagnetic fields from LunchboxTM PSU or other module types


SPECIFICATIONS

Levels:

  • Input: 10kΩ, bridging, balanced and earth-free.
  • Output: Source impedance 80Ω, balanced and earth-free. Maximum output: +26dB into 600Ω
  • Gain: 0dB
  • Noise: -70.5dBu (20Hz ~ 20kHz) for linear and limit modes.
  • Frequency Response: Flat, within 1dB from 20Hz ~ 20kHz
  • Distortion: With limit switched IN, threshold set to +4dBu, recovery 800ms & input level +20dB:0.05% @ 1kHz (10Hz ~ 80kHz)With Compress & Limit switched OUT, input/output level +9dB: 0.05% @ 1kHz (10Hz ~ 80kHz)

Limiter section:

  • Threshold: Variable from +4dB ~ +15dB
  • Ratio: Greater than 100:1
  • Attack Time: 4mS
  • Recovery Time: 50ms, 100ms, 200ms, 800ms and Auto1 (100ms/2sec) and Auto2 (50ms/5sec) settings

Compressor section:

  • Threshold: Variable from -20dBu ~ +10dBu
  • Ratio: 1.5:1, 2:1, 3:1, 4:1, 6:1
  • Attack Time: 3ms with Slow Attack off, 12ms with Slow Attack active.
  • Recovery Time: 100ms, 400ms, 800ms, 1.5sec and Auto1 (100ms/2sec) and Auto2 (50ms/5sec) settings.
  • Gain Make-up: 0dB ~ +20dB extra gain when Compress switched IN.
  • Meter: Digital LED meter with approximate PPM ballistics indicates 0dB ~ 20dB of gain reduction.

Controls:

  • Gain meter
  • Limiter Threshold & Recovery rotary controls with IN/OUT switch & indicator LED
  • Compressor Threshold and Recovery rotary controls with IN/OUT switch & indicator LED
  • Compressor Gain and Ratio rotary controls with LINK switch & indicator LED
  • Bypass switch
  • Signal Presence indicator LED
  • Slow Attack switch

Dimensions (excluding front panel controls and rear connector):

  • Width: 38mm (1½ inches)
  • Height: 132mm (5¼ inches)
  • Depth: 145 mm (5¾ inches)
  • Weight: 1.1kg (2½ pounds)

2264ALB Module requirements:

  • Rack: Compliant LunchboxTM rack with integral PSU and external audio connections.
  • Available Rack slots: Single Lunchbox rack slot required for each 2264ALB module.Two or three adjacent Lunchbox rack slots required for each 1073LB/2264ALB or 1073LB/ 1073LBEQ/2264ALB module configuration when the modules are used together in Audio Processing Insert mode.
500-series compatible mono limiter/compressor
₹0.00
AMS Neve 1073 LB 500-Series Mono Mic/Pre Module - L/box Format (AMS Neve 1073 LB 500-Series Mono Mic/Pre Module - L/box Format)

AMS NEVE 1073 LB

The Neve 1073LB is a professional preamp designed after the classic 1073 microphone preamplifier in shape and components so it retains the unique sonic characteristics of the original. Although it’s designed on the basis of the original it’s now more compatible with your modern studio making it the perfect choice for any professional.

With new features like a fine TRIM control, switchable microphone input impedance, signal presence LED, intelligent protected switching of front combi-XLR input connector and Neve's clever Audio Processing Input design, the 1073LB takes your LunchboxTM to the next level.

Simply install into an empty slot in your compatible LunchboxTM rack, connect your microphone or line level signals and inject that legendary sound into your audio creations.

Launched in 1970, the 1073 is the first choice of leading producers and artists, delivering the unique Neve sound on some of the most famous recordings of the past 40 years. The big, punchy sound of the 1073 complements any musical genre - from rock to pop, hip-hop to rap, thrash to classical. And now it is available in a 500-Series, Lunchbox format.

AMS NEVE 1073 LB FEATURES

  • Classic transformer microphone preamp amp (Class A design) 
  • Neve designed hand-wound transformers 
  • Both Mic and Line inputs are transformer balanced and earth free
  • Gain knob with Signal Presence LED
  • +5/-10dB level Trim control with integrated phantom power on/off switch
  • Phase, Impedance and Front Input selector switches
  • Front combi-XLR connector with intelligent switching of phantom power
  • Audio Processing Insert design allows processing from adjacent Neve modules in same
  • LunchboxTM to be inserted into the 1073LB's pre-output stage
  • Microphone Input: Gain -80db to -20dB in 5dB steps
  • Line Input: Input impedance 4k ohms bridging, gain -20dB to +10dB in 5dB steps
  • Output is transformer balanced and earth free 
  • Distortion: Not more than 0.07% from 50Hz to 10kHz at +20dBu output 
    (80kHz bandwidth)
  • Freq Response: +0.5dB 20Hz to 20kHz, -3dB at 40kHz
  • Crafted in England by Neve engineers

SPECIFICATIONS

Microphone Amplifier Section:

  • Microphone Input: Transformer balanced and earth free. Switchable impedance (300Ω or 1200Ω)Gain -80dB to -20dB in 5dB steps
  • Line Input: Transformer balanced and earth free. Impedance 4kΩ bridgingGain -20dB to +10dB in 5dB steps
  • Output: Transformer balanced and earth free. Maximum Output is +28dBuOutput impedance is 75Ω @ 1kHz
  • Distortion: 0.07% from 50Hz to 10kHz @ +20dBu output (80kHz bandwidth)
  • Frequency Response: +/-0.5dB 20Hz to 20kHz, -3dB @ 40kHz
  • Noise: -82dBu at all Line gain settings (22Hz to 22kHz bandwidth)
  • EIN: Better than -125dBu @ 60dB gain

Controls:

  • Gain control with Signal presence indicator
  • Fine trim control with integrated +48v phantom power on/off push switch
  • Fhase switch
  • Microphone impedance selector
  • Front/rear input connector selector switch
  • Combi-XLR audio input connector

Dimensions:

  • Width: 38mm (1½ inches)
  • Height: 132mm (5¼ inches)
  • Depth (excluding front panel controls & rear connector): 145mm (5¾ inches)
  • Approx. Weight: 1.1Kg (2½ pounds)

Module requirements:

  • Rack: Compliant LunchboxTM rack with integral PSU and external audio connections
  • Available Rack slots: Single LunchboxTM rack slot required for each 1073LB module
Professional preamp
₹0.00
AMS Neve 1081 Classic Mono Module - Mic Pre, EQ, filters. (AMS Neve 1081 Classic Mono Module - Mic Pre, EQ, filters.)

AMS NEVE 1081 CLASSIC MONO MODULE

The Neve 1081 Classic is a legendary Class A transformer based mic preamp and EQ. The Neve 1081 Classic provides remarkable sensitivity, fast and musical response to transients, plus inimitable Neve equalization featuring effective high- and low-pass filters designed to separate unwanted signal outside the passband. This gives users a flexible tool with which to shape new sounds and control any part of the audio spectrum. The curves and slopes have been carefully tailored to enable users to exercise maximum technical and artistic skill.

Over three decades of engineers have found the 1081 an indispensable tool for recording and mixing drums, bass and percussion. As with all Neve outboard gear, users are assured the highest quality signal acquisition, thanks to uncompromising Class AB circuitry, hand-wound Neve-designed transformers, and unrivalled attention to every last component and construction detail.

Designed in 1972, the 1081 was originally conceived as a combined mic/line preamp and equalizer section for the Neve modular consoles. A glance through the credits on today’s platinum-selling albums reveals that these vintage consoles are still widely used to great effect, confirming the 1081’s status as a truly classic component in a recording front-end or mixing environment. We are still hand-building 1081 modules in Burnley, UK much the same way as the original modules, using the original components, hand-wound transformers, and time-honed construction methods.

AMS NEVE 1081 CLASSIC MONO MODULE FEATURES

  • Legendary Neve microphone preamp and equalizer design (Class AB) 
  • Hand-built and wired precisely to original 1972 specifications 
  • 5 switchable EQ bands  
  • HP and LP selectable filters (18dB per octave)  
  • Separate 48V phantom power supply  
  • Solo button selects channel unbalanced output  
  • Neve-designed hand-wound transformers  
  • Both inputs transformer-balanced and earth free  
  • Microphone input: gain +80db to +10dB in 5dB steps 
  • Line input: gain +20dB to -10dB in 5dB steps 
  • Output: maximum output >+26dBu into 600Ω; output impedance 75Ω @1kHz  
  • Distortion: not more than 0.07% at +20dBu output  
  • Freq response: ±0.5dB 20Hz to 20kHz, -3dB at 45kHz. EQ Out.  
  • Output noise better than -80 dB at all line levels  

AMS NEVE 1081 CLASSIC MONO MODULE SPECIFICATIONS

Mic Amplifier Section

  • Microphone Input: Input impedance 300 Ohms or 1200 Ohms, gain +80dB to +20dB in 5dB steps.Input is transformer balanced and earth free.
  • Line Input: Input impedance 10,000 Ohms bridging, gain +20dB to -10dB in 5dB steps.Input is transformer balanced and earth free.
  • Output: Maximum output is >+26dBu into 600 Ohms. Output impedance is 75 Ohms +/-5% @ 1kHz, balanced and earth-free.An unbalanced output 8dB below the level of the balanced output is also provided.
  • Distortion: Not more than 0.07% from 50Hz for +20dBm output from 50Hz to 15kHz (80kHz bandwidth)
  • Frequency Response: +/-0.5dB from 20Hz to 20kHz, -3dB at 7Hz and 35kHz
  • Noise: Output noise better than -42dBm from Zin 1200 Ohms and -80dB input, giving an equivalent noise of -125dBm referred to 600 Ohms input impedance fed from 100 OhmsOutput noise better than 80dBm at all line input levels (22Hz to 22kHz bandwidth)

EQ Section:

  • High Frequency controls: 5 switched frequencies, shelving or peaking curve, continuously variable 18dB cut or boost.- High Frequency Presence: 10 switched frequencies with continuously variable 18dB cut or boost, high or low Q section.
  • Low Frequency controls: 5 switched frequencies, shelving or peaking curve, continuously variable 18dB cut or boost.- Low Frequency Presence: 10 switched frequencies with continuously variable 18dB cut or boost, high or low Q section.
  • High Pass Filter: 5 switched frequencies with slope of 18dB per octave.
  • Low Pass Filter: 5 switched frequencies with slope of 18dB per octave.

Audio controls

  • Phase Button: Gives 180 degree phase change at balanced output.
  • EQ Button: Selects equalisation in or out of circuit.
  • SOLO Button: Selects channel unbalanced output and closing switch contact.
  • Spare Button: Switches external device as required.

Power

  • Power Requirements: 200mA at 24V DC, Negative earth

Module Dimensions

  • Width: 45mm (1.8 inches)
  • Height: 305mm (12.15 inches)
  • Depth: 300mm (11.8 inches) behind front panel
  • Approx. Weight: 3kg (6.5 pounds)
Legendary Class A transformer based mic preamp and EQ
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AMS Neve 8803 Dual Channel EQ and filter module (AMS Neve 8803 Dual Channel EQ and filter module)

AMS NEVE 8803 DUAL CHANNEL EQ AND FILTER MODULE

Designed to deliver the inimitable sound of the flagship Neve 88RS console, the Neve 8803 Dual Equalizer’s circuitry is based on the classic Neve 8108 topology. Balanced inputs and ±20dB trim are followed by two 12dB per octave filters. The High-Pass Filter has a variable corner frequency from 25Hz to 300Hz, and the Low-Pass Filter has a range of 3kHz-15kHz. The four bands of equalization offer selectable shelving and switchable Q on the high and low bands, with continuously variable Q on the mid frequency bands. Frequency selection is variable on all bands within the ranges 33Hz-440Hz, 120Hz-2kHz, 0.8kHz-9kHz and 1.5kHz-18kHz.

For modern producers and engineers looking to shape and develop sounds with unrivalled sonic purity and musicality, the 8803 Dual Channel Equalizer is the preeminent choice.

Part of the exclusive Neve 88 Series, the Neve 8803 is a dual channel equalizer and filter. Like the other units in the 88 series collection, the 8803 is hand-made and hand-wired in Burnley, England, and delivers legendary Neve sound with digitally recallable settings via USB connection to Mac or PC. This is an outstanding tool for creative flexibility, allowing Neve’s legendary analogue processing to be used as never before in collaboration with computer workstations.

NEVE 8803 FEATURES

  • Revered equalization circuitry derived from classic 8108 design and flagship 88RS analogue console
  • Hand-built and hand-wired by Neve in Burnley, England
  • ±20dB Input trim 
  • High pass filter 25Hz-300Hz, 12dB per octave 
  • Low pass filter 3kHz-15kHz, 12dB per octave 
  • EQ High 1.5k-18kHz, selectable Shelving/Bell, selectable Hi Q 
  • EQ Mid High 0.8kHz-9kHz, Q range: 0.3 to 7 continuously variable 
  • EQ Mid Low 120Hz-2kHz, Q range: 0.3 to 7 continuously variable 
  • EQ Low 33Hz-440Hz, selectable Shelving/Bell, selectable Hi Q 
  • EQ bypass switch 
  • USB port for recall of settings via Mac or PC and control software
  • XLR input combination jack, +4dBu, -10dBV 
  • XLR and parallel jack outputs
  • External 100V-250V power supply

SPECIFICATIONS

Performance:

  • Frequency Response: +/- 0.3dB (10Hz to 20kHz)+/- 0.5dB (10Hz to 35kHz)
  • Distortion: <0.006% (10Hz to 20kHz using a measurement window of 10Hz to 80kHz)
  • Noise: < 80dB (20Hz to 20kHz using a measurement window of 10Hz to 22kHz)

Line Input:

  • Input Impedance (balanced): > 20k Ohms

Output:

  • Line Output Impedance: < 50 Ohms
  • Line Output Maximum: Maximum of +26dBu into 600 Ohms. Zout 75 Ohms +/-5% @ 1kHz, balanced and earth-free.An unbalanced output 8dB below the level of the balanced output is also provided.

Dimensions:

  • Width: 482mm (19 inches)
  • Height: 44mm (1.75 inches) - 1U
  • Depth: 240mm (9.5 inches) - without power socket plugged in
  • Weight: 2.5kg (5.5 pounds)
Flagship of Neve 88RS console
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AMS Neve 4081 Quad Mic-Pre Inc. Free Digital Card (AMS Neve 4081 Quad Mic-Pre Inc. Free Digital Card)

AMS NEVE 4081 QUAD MIC-PRE + DIGITAL CARD

The Neve 4081 Quad Mic Preamp builds on the incredible success of the 1081 and 1081R modules and provides both powerful control and legendary Neve sound.  Perfect for vocals, ADR and Foley Recording, the 4081's features make it the number one choice for any studio, OB truck or live stage environment.

Every function of the 4081 can be controlled directly from the front panel or by remote control using a Mac or PC with Neve Remote Control software. This provides a simple and elegant solution for users of ProTools, Nuendo, Cubase and similar DAW systems. Multiple 4081 units can be linked together to create up to 64 independent channels of Mic Preamps or Line Level inputs – all controlled from a single computer. 

And now with Version 2.00 software, metering information is displayed within the Remote Mic Control window, which is passed back from the 4081 unit(s) to the Remote Mic Control software running on the computer being used for remote control.

NEVE 4081 FEATURES

  • Remote Control of legendary Neve microphone preamp design
  • Four genuine 1081 Mic preamp channels in a single 9.5” wide unit
  • Two units can be linked together to provide 8-channels in a 19” unit with optional 19" rack-mount kit
  • Remote control using a Mac or PC with Neve Remote Control software
  • XLR Mic input can be switched between Mic and electronically balanced Line
  • Switchable 48V Phantom power supply
  • Digital I/O Option (Available Separately): Firewire/AES interface with four channels of A/D conversion to either AES or FireWire and 4 channels of D/A conversion. Analogue Insert (pre A/D converter) per channel.

SPECIFICATIONS

Performance (per channel):

  • Input impedance: 1.2kOhm @ 1kHz
  • Gain: +20dB to +70dB in 5dB steps
  • Distortion: not more than 0.07% for 20dBm output from 50Hz to 10kHz @ 60dB gain
  • Noise: (22Hz to 22kHz bandwidth) EIN better than -122dB @60dB gain
  • Microphone Maximum Input Level with 'Pad' IN: +24dB
  • Max Output: +26dBu into 600 Ohms
  • Output Impedance: 50 Ohms +/- 5% @ 1kHz balanced

Connections:

  • Audio Interface: 1x XLR Mic/Line input & 1x XLR Line output per channel1x 25-way D-type socket for INSert Inputs and Line Outputs
  • Control Interface: 1x USB data port, 1x RS485 in and 1x RS485 out (both RJ9 sockets) to allow control data

Dimensions:

  • Width: 218mm (8.5 inches)
  • Height: 88mm (3 inches) (2U) - not including rubber feet on bottom of unit for use on flat surface/desktop, which are 6mm deep.
  • Depth: 270mm (10.75 inches) excluding front panel controls, front panel 'grab bars' and rear connectors
  • Weight: 5.5kg (12 lbs)

Options (NOT included):

  • Digital option: Analogue to Digital & Digital to Analogue converter card, capable of sample rates up to 384kHz can be fitted into the 4081 internally.Comes with AES and FireWire digital interfaces.+26dBu Headroom, Distortion better than 0.005% (at 48kHz) and 0.007% (at 96kHz), Noise <-110dB fs (48kHz)
  • Rack-mount kit: Mounts 1 or 2 4081 units into a 19" rack.
Legendary Class A transformer based mic preamp and EQ
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AMS Neve 1073 Classic Mono Module - Mic Pre, EQ, HF (AMS Neve 1073 Classic Mono Module - Mic Pre, EQ, HF)

AMS NEVE 1073 CLASSIC MONO MODULE

The AMS Neve 1073 Classic Mono Module is a Class A, transformer based mic preamp and 3 band EQ, with one fixed high frequency band, two switchable bands with cut and boost capability, and a high pass filter.The 1073 Classic module is designed to perfectly retrofit into the 80 Series Neve Classic consoles as part of a channel strip or can be mounted in a custom rack.

Handcrafted and completely hand-wired by Neve’s dedicated professionals in Burnley, England, the modern-day Neve 1073 Classic Mono Module is produced to the exact specifications of the original modules. Considerable resources have been devoted to the acquisition of the original components to ensure the sound remains true.

Launched in 1970, the 1073 is the first choice of leading producers and artists, delivering the unique Neve sound on some of the most famous recordings of the past 40 years. The big, punchy sound of the 1073 complements any musical genre – from rock to pop, hip-hop to rap, thrash to classical.

The Neve 1073 mic pre and EQ combination adds warmth and depth to recordings, brings out subtle ambience, maintains spatial positioning, and more effectively captures a precise image. That’s why the 1073 mic preamp is considered by many to be the very essence of the Neve sound.

*Pictured racks and multiple units are not included. This item is for 1 Neve 1073 Classic Mono Module.

AMS NEVE 1073 CLASSIC MONO MODULE FEATURES

  • Classic transformer microphone preamp amp (Class A design)
  • 3 EQ bands 
  • Hand-built and hand-wired to original 1970s design 
  • HP filter 
  • Neve designed hand-wound transformers 
  • Both inputs are transformer balanced and earth free
  • Microphone Input: Gain +80db to +20dB in 5dB steps. 
  • Line Input: Input impedance 10k ohms, gain +20dB to -10dB in 5dB steps. 
  • Output: Maximum output is >+26dBu into 600Ω. 
  • Output is transformer balanced and earth free 
  • Distortion: Not more than 0.07% from 50Hz to 10kHz at +20dBu output 
  • (80kHz bandwidth) into 600Ω. 
  • Freq Response: ±0.5dB 20Hz to 20kHz, -3dB at 40kHz. EQ Out.


SPECIFICATIONS

Mic Amplifier Section:

  • Microphone Input: Input impedance 300 Ohms or 1200 Ohms, gain +80dB to +20dB in 5dB steps.Input is transformer balanced and earth free.
  • Line Input: Input impedance 10K Ohms bridging, gain +20dB to -10dB in 5dB steps.Input is transformer balanced and earth free.
  • Output: Maximum output is >+26dBu into 600 Ohms. Output impedance is 75 Ohms @ 1kHzOutput is transformer balanced and earth free.
  • Distortion: Not more than 0.07% from 50Hz to 10kHz at +20dBu output (80kHz bandwidth) into 600 Ohms
  • Frequency Response: +/-0.5dB 20Hz to 20kHz, -3dB at 40kHz, EQ out.Noise: Not more than -83dBu at all Line gain settings, EQ In/Out (22Hz to 22kHz bandwidth)
  • EIN: Better than -125dBu @ 60dB gain.

EQ Section:

  • High Frequency: Smooth +/- 16dB fixed frequency shelving at 12kHz
  • Mid Frequency: Smooth +/- 18dB peaking, fixed 'Q' with selectable centre frequencies of 0.36kHz, 0.7kHz, 1.6kHz, 3.2kHz, 4.8kHz & 7.2kHz
  • Low Frequency: Smooth +/- 16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz & 220Hz
  • High Pass Filter: 18dB per octave slope, switchable between 50Hz, 80Hz, 160Hz & 300Hz
  • EQL Button: Switches the equaliser in or out of circuit.
  • Phase Button: Gives 180 degree phase change at balanced output

Module Dimensions:

  • Width: 45mm (1.8 inches)
  • Height: 222mm (8.75 inches)
  • Depth: 254mm (10 inches)



  • Approx. Weight: 2.5kg (5.5 pounds)
Class A, transformer based mic preamp and 3 band EQ
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AMS Neve 8816 - 16 channel Summing Mixer (AMS Neve 8816 - 16 channel Summing Mixer)

AMS NEVE 8816

The AMS Neve 8816 allows engineers and producers to mix their music on a true, albeit diminutive, Neve summing mixer. The unit provides 16 input channels with +15dB gain, level, pan, cut/solo and cue controls.Additionally, a post-insert mix function can be used for mixing in a separate stem, or blending the mix with a special effect.

With four monitor sources, two sets of speakers, independent monitor level control, talkback mic, cue send and headphone outs, the 8816 effectively upgrades a digital audio workstation to a professional mixing facility. And an onboard USB connector allows snapshots of the 8816 to be saved to a PC or Mac and recalled ready for remix.

The 8816 uses the same transformer mixing topology as the classic 80 Series console, with two custom Carnhill transformers on the stereo mix bus output, plus a unique 'Stereo Width' control as found in professional mastering studios. And what all this means is that the unit delivers the open, punchy mixes for which Neve consoles have long been renowned.

For those requiring digital output, the 8816’s analog-to-digital conversion option (*Not included) supports standard sample rates to 192kHz and direct conversion to DSD (Direct Stream Digital). This Neve-designed ADC has been compared quite favorably to dedicated professional A/D conversion units costing as much or more than the entire 8816 mixer. If sixteen inputs aren’t enough for your mix, multiple 8816 units can be cascaded together via a dedicated 2-track bus. And the unit can be paired with the 8804 Fader Pack, which provides 18 long-throw faders for hands-on control.

NEVE 8816 FEATURES

  • Hand-built, hand-wired 16-channel summing mixer for use in professional computer-based studios
  • Classic Neve analogue transformer mix bus topology
  • Instant Recall of settings stored on PC or Mac via USB
  • 16 input channels plus aux additional inputs
  • Cue, Level, Pan, Solo and Mute controls
  • Mix Insert points
  • Various solo and solo in place functions
  • Sum and difference insert with exclusive 'Stereo Width Control'
  • Separate Monitor and Cue levels
  • Main and Alt speaker outs
  • Onboard talkback mic w/talkback input to Cue
  • Units can be cascaded for multiple output
  • 2U rackmount design with special shielded power supply
  • 2 track return, plus iPod input
  • Headphone outs on front and back 
  • Optional digital output card; 44.1kHz to 192kHz, plus DSD

SPECIFICATIONS

Performance:

  • Frequency Response: Channel 1 line input to main output (20Hz to 20kHz) +/-0.5dB Better than -3dB @ 60Hz
  • Distortion: < 0.02% (0Hz to 20kHz) measured at +20dBu into 10 Ohms with 80Hz filter
  • Noise: No channels routed = < -86dBu (20Hz to 20kHz bandwidth)1 channel routed = < -85dBu (20Hz to 20kHz bandwidth)16 channels routed = < -80dBu (20Hz to 20kHz bandwidth)

Line Input:

  • Input Impedance (balanced): > 20k Ohms (balanced +4dBu)
  • Input level maximum: >+26dBu (balanced)

Line Output:

  • Line Output Impedance: < 50 Ohms (balanced +4dBu)
  • Output level maximum: >+26dBu into 600 Ohms (balanced), >+14dBu into 600 Ohms

Dimensions:

  • Width: 482mm (19 inches)
  • Height: 88mm (3 inches) (2U)
  • Depth: 390mm (15.4 inches)
  • Weight: 7kg (5.5 pounds)

Options:

  • External Fader Pack: Neve 8804 fader pack allows channel and main audio levels to be controlled by faders. This also introduces an AUX output to the 8816 unit
  • Digital Output: Analogue to digital card, capable of sample rates up to 192kHz can be fitted into the 8816 internally.


Summing Mixer
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AMS Neve 8801 - 1U Producer Pack Channel Strip (AMS Neve 8801 - 1U Producer Pack Channel Strip)

AMS NEVE 8801 CHANNEL STRIP

The Neve 8801 is a complete channel strip taken from the Neve 88R console. The 8801 features a mic preamp with high and low pass filters, a four-band EQ, a compressor, gate, dynamics side chain and an insert point. The order of the signal path can be changed to suit your requirements.

The Neve 88R is considered one the of best sounding analogue desk ever made and the 8801 - Hand-built and hand-wired in Burnley, England - takes the channel strip and puts in inside a solid 1U rack.

The preamp section features phantom power, phase reverse, -20dB pad and can handle Mic, Line or work as a DI. The filter section features high pass and low pass filters and an option to route the filters to the sidechain.

The dynamics section features a compressor with standard threshold, ratio and release controls with the addition of a gain make-up knob. The expander/gate features threshold, range and release controls. There is also the Hysteresis knob which sets the difference in threshold between the gate opening and closing signals. Pressing this button switches the gate off and the 2:1 ratio expander on.

The EQ is extremely musical and features four bands. The two middle frequencies are fully parametric with frequency, gain and Q settings, the out bands can switch between shelf and bell shaping with frequency and gain settings. The Q can be switch from wide to narrow. The EQ can be routed to the sidechain.

Using Neve's Mac and PC compatible Recall software allows instant setting recall for seamless integration.

An optional digital board offers high-quality analogue to digital conversion up to 192kHz on AES/EBU and S/PDIF connection. Wordlock is included of rock-solid clocking.

NEVE 8801 FEATURES

  • Complete channel strip from the revered 88RS console in a single rackspace
  • Hand-built and hand-wired by Neve in Burnley, England
  • Genuine Neve mic preamp with High and Low Pass Filters
  • 4-band equalization with highly musical, full-range sound
  • 88RS-style compressor and gate
  • Insert send and return
  • EQ or filters to sidechain
  • USB port for direct connection to Mac or PC
  • Optional Neve analogue-to-digital converter

SPECIFICATIONS

Performance:

  • Frequency Response: +/- 0.2dB (10Hz to 20kHz)+/- 0.5dB (10Hz to 40kHz)Line Input to Main Output
  • THD + Noise: <0.005% Line Input to Main Output (20Hz to 20kHz) using a measurement window of 10Hz to 80kHz
  • Noise: Line Input to Main Output: < -89dBAll the audio blocks in circuit: < -80dBuAll noise measurements made between 20Hz and 20kHz using a measurement bandwidth 22Hz to 22kHz

Microphone Input:

  • Input Impedance (balanced): 1.2k Ohms
  • Input Headroom: +26dBu (reference 0dBu)
  • Input Gain Range: 0db to +70dB (using PAD)

Line Input:

  • Input Impedance (balanced): > 20k Ohms, is able to encompass signals from sources referenced to +4dBu or to -10dBu
  • Input Headroom: +26dBu (reference 0dBu)
  • Input Gain Range: -24dB to +24dB

DI Input:

  • Input Impedance (balanced): > 750k Ohms
  • Input Headroom: +20dBu (reference 0dBu)
  • Input Gain Range: -44dB to +24dB (using PAD)

Output:

  • Line Output Impedance: < 50 Ohms
  • Main Output Maximum: > +26dBu into 600 Ohms

Dimensions:

  • Width: 482mm (19 inches)
  • Height: 44mm (1.75 inches) - 1U
  • Depth: 240mm (9.5 inches) - without power socket plugged in
  • Weight: 3kg (6.6 pounds)

Options:

  • Digital Output: Optional analogue to digital card converts up to 192kHz sample rate, installs inside the 8801 unit


Channel Strip
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