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Apogee

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Apogee Symphony I/O Mk II HD 8x8 Pro Tools HD Audio Interface
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Multichannel Pro Tools HD Audio Interface with 8 x 8 Analog I/O and 8 x 8 AES/Optical I/O - Mac/PC
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Apogee Ensemble Thunderbolt 2 Audio Interface
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30-in/34-out with 24-bit/192kHz Resolution and 32-bit Playback, 8 Mic Preamps, Soft Limit, OLED Display
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Apogee Symphony I/O Mk II HD 16X16 Pro Tools HD Interface
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Multichannel Pro Tools HD Audio Interface
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Apogee Symphony I/O Mk II 8x8 Thunderbolt Audio Interface
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Multichannel Thunderbolt Audio Interface with 8x8 Analog I/O and 8x8 AES/Optical I/O - Mac
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Apogee ELEMENT 24 - Thunderbolt Audio Interface
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Thunderbolt Audio Interface with 2 Mic/Line/Instrument Inputs, 2 Balanced XLR Outputs
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Apogee ELEMENT 46 - Thunderbolt Audio Interface
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Thunderbolt Audio Interface with 4 Mic/Line/Instrument Inputs, 2 Balanced XLR Outputs
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Apogee ELEMENT 88 - Thunderbolt Audio Interface
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Thunderbolt Audio Interface with 8 Analog Inputs, 8 Mic Preamps, 2 Balanced XLR Output
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Apogee Symphony I/O Mk II 8X8 + 8MP Thunderbolt Audio Interface
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Low-Latency Thunderbolt Connection and user-upgradeable I/O
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Apogee ELEMENT Control
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16 IN x 16 OUT Thunderbolt Audio I/O Box for Mac.
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Apogee Quartet - 12 In x 8 Out USB Audio Interface and Studio Control Center
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12 In x 8 Out USB Audio Interface
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Apogee GiO - Guitar Interface and Stomp Pedal for Mac
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Studio quality guitar interface for recording, rehearsing
₹0.00
Apogee Symphony I/O Module - 16x16 Analog Mk II
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Studio quality guitar interface for recording, rehearsing
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Apogee Symphony I/O Module - 2x6 Analog I/O + 8x8 Optical + AES I/O
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8-channel, analog expansion module
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Apogee Symphony I/O Mk II HD 8x8 Pro Tools HD Audio Interface (Apogee Symphony I/O Mk II HD 8x8 Pro Tools HD Audio Interface)
Symphony I/O Mk II HD is designed for the Pro Tools HD user who needs a multi-channel audio interface with the best sound quality at an incredible cost per channel value. Whether using a Mac or PC based studio, Symphony I/O Mk II HD can connect directly to your Pro Tools HDX, Pro Tools HD Native or Pro Tools Core/Accel systems.

Each I/O module installed in Symphony I/O Mk II HD appears and functions in Pro Tools HD the same if it were a separate Avid HD I/O interface, so set up is easy and you can take advantage of important Pro Tools features such as sample-accurate delay compensation.

A single Symphony I/O Mk II HD unit can have up to 32 simultaneous analog I/O, so you can have more channels with less rack gear. Need even more channels? You can utilize multiple units simultaneously, with one Symphony I/O Mk II HD per every Pro Tools HD port in your system. Calibrating your I/O is easy with Symphony I/O Mk II HD’s front panel touchscreen.

Apogee Symphony I/O HD Mk II 8x8 Key Features:

  • Best performance of any multi-channel Pro Tools HD interface
  • Best cost per channel value of any Pro Tools HD interface solution
  • Connects directly to any Pro Tools HD system (Mac or PC)
  • Emulates Avid HD I/O interface, including sample-accurate delay compensation
  • Connect multiple units in a single system (1 unit per HD port)
  • Easy I/O calibration with front panel touchscreen

The Apogee Symphony I/O family

Apogee’s Symphony I/O Mk II offers four base configurations that provide a suitable solution plus expansion capabilities for home studio, project studio, commercial recording studio, or scoring stage.

Tech Specs

  • Computer Connectivity:Mini-DigiLink Port, USB
  • Form Factor:Rackmount
  • Simultaneous I/O:8 x 8
  • A/D Resolution:44.1kHz-192kHz
  • Analog Inputs:1 x DB-25 (8 channel)
  • Analog Outputs:1 x DB-25 (8 channel), 1 x 1/4" (headphones)
  • Digital Inputs:1 x DB-25 (AES), 1 x Toslink (S/PDIF, ADAT, SMUX), 1 x Coax (S/PDIF)
  • Digital Outputs:1 x DB-25 (AES), 1 x Toslink (S/PDIF, ADAT, SMUX), 1 x Coax (S/PDIF)
  • Clock I/O:Word Clock In/Out, Loop Sync In/Out
  • Data I/O:HD Mini-DigiLink, USB Type B
  • Rack Spaces:2U
  • Height:3.5"
  • Width:19"
  • Depth:11.5"
  • Manufacturer Part Number:SYM2-8X8S2-PTHD



Apogee Symphony I/O Mk II 8x8 unique features in depth

Apogee Sound Quality

While the phrase, “Apogee’s legendary sound quality” certainly applies, there’s no need to trot out that old cliché. Everyone who’s been making records for the last two decades knows about Apogee sound. They also knew that Apogee converters had a slight coloration, one that many found pleasing, but certain applications demand the ultimate in transparency. The advantage of transparent recording is that you’re not locked into a specific coloration, which can turn a unit into a one-trick pony. And should you desire, you can always add color later—your choice of color. To create its next-generation converters, Apogee focused its 25 years of award winning design experience to create its best-sounding and most transparent converters to date.

Mk II Sound Quality–New 8×8 and 16×16 Modules

Symphony I/O Mk II includes the most refined analog-to-digital converter Apogee has ever designed. The analog stage uses the same fully differential op-amps as found in the original Symphony I/O, but now in a circuit precisely streamlined to provide the most transparent path to the A/D stage possible. A Dual Sum A/D stage – where two conversion stages are summed for each analog channel – offers the lowest distortion and greatest dynamic range of any A/D converter Apogee has ever designed – you get digital recordings that are true to your analog inspiration.

Symphony I/O MK II’s D/A section has been optimized with a more powerful, robust analog output driver. This newly designed high current, low impedance circuit is capable of driving virtually any input with absolutely no decrease in performance, regardless of the load presented by the connected gear. This becomes especially important when connecting vintage gear with difficult load impedances and elevated operating levels, sometime over long cables – Symphony I/O MK II maintains fidelity and punch.

Input and Output Flexibility

Tired of outgrowing your gear or discovering that your needs for expandability have diverged from your original plan—and finding yourself cobbling together a complicated, cumbersome system? Those days too, are gone because Apogee Symphony I/O can grow with you. Starting with your base configuration of choice (2x6, 8x8, 16x16, or 8x8 with 8 mic preamps), Symphony I/O can easily expand as your studio grows via two rear-panel module slots, which offer the capacity for up to 32 inputs and outputs of A/D-D/A conversion per unit. Currently, Apogee offers five* I/O modules plus the 8 Mic Pre** eight-channel preamp module.

Symphony’s I/O modules are designed to future-proof your investment in flagship Apogee sound quality. If you own an original Symphony I/O, the Symphony I/O Mk II chassis can increase the longevity of your system by offering backwards compatibility with first generation 2×6, 8×8, 16×16 and 8 channel mic preamp I/O modules.

Apogee Symphony I/O expansion options:


*The 2x6 card is only available in base configuration
** Symphony I/O 2x6 base is not compatible with the 8 Mic Pre card

Apogee Symphony I/O front panel touch screen

All of Symphony I/O Mk II’s essential input and output settings can be accessed from the front panel touchscreen. Change your input selection, monitoring levels, mic pre gain or calibrate your Symphony I/O Mk II to match the levels of the other analog gear in your system. A high-resolution TFT display delivers all the visual feedback critical for recording and monitoring. Without looking at your computer, Symphony I/O Mk II lets you see metering for up to 64 channels of I/O, 32 IN x 32 OUT – signal levels, polarity, muting, phantom power and Soft Limit.

Apogee Symphony I/O rear panel

The rear panel of the Symphony I/O is where the modular magic happens. It has two module slots and is capable of up to 32 channels of I/O in various combinations (depending on module choice), plus PCI, USB 2.0, and Ethernet (for future connectivity). The base unit also features word clock connectors and termination, plus a quiet, high-performance, digitally controlled fan for cool running.
INPUTS

Analog IN: 8 balanced inputs on 1 DSUB 25-pin connector
*AES-EBU IN: 8 inputs on 1 DSUB 25-pin connector - (192k single wide compatible)
*Optical IN: Supports ADAT, SMUX & S/PDIF
ADAT: 8 channels 44.1-48 kHz
SMUX: 8 channels 88.2-96 kHz
S/PDIF: 2 channels, up to 96 kHz
Coax IN: 2 channels of S/PDIF, up to 192 kHz

OUTPUTS

Analog OUT: 8 balanced outputs on 1 DSUB 25-pin connector
*AES-EBU OUT: 8 outputs on 1 DSUB 25-pin connector - (192k single wide compatible)
*Optical OUT: Supports ADAT, SMUX & S/PDIF
ADAT: 8 channels 44.1-48 kHz
SMUX: 8 channels 88.2-96 kHz
S/PDIF: 2 channels, up to 96 kHz
Coax OUT: 2 channels of S/PDIF, up to 192 kHz


Apogee Symphony I/O Mk II Pro Tools HD Interface Features:
  • Apogee's next-gen multichannel audio interface
  • Class-leading AD/DA conversion
  • Connects directly to Pro Tools HD Native, HDX, or Core/Accel systems
  • Ultra-low 1.35mS latency
  • Flexible modular I/O
  • User-friendly 4.3" TFT touchscreen display and front-panel controls
  • Easy to expand your setup as your needs grow
  • Outstanding per-channel value



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Multichannel Pro Tools HD Audio Interface with 8 x 8 Analog I/O and 8 x 8 AES/Optical I/O - Mac/PC
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Apogee Ensemble Thunderbolt 2 Audio Interface (Apogee Ensemble Thunderbolt - 30 IN × 34 OUT Thunderbolt 2 )
The Apogee Ensemble is the first Thunderbolt 2 audio interface to offer superior sound quality, the lowest latency performance and the most comprehensive studio functionality all in one box. Ensemble includes 8 Advanced Stepped Gain™ mic preamps, monitor controller functionality including talkback, front panel Guitar I/O, two headphone outputs and digital connectivity for a total of 30 x 34 I/O. Blending acclaimed innovations, groundbreaking new features and an effortless user interface, Ensemble empowers you to capture inspiration when creative lightning strikes.

Launched in 2007, the first Ensemble re-defined the possibilities of the personal studio interface, setting new standards of quality, simplicity and value. Winning that year’s TEC Award for Digital Audio Technology, Ensemble went on to become the preferred interface for thousands of hit-making producers, engineers and artists. Now, with 30 years of digital audio expertise and the latest technological innovations, Apogee has re-built Ensemble to introduce the next generation of music creation technology.

Apogee Ensemble Highlights

  • 8 Mic preamps with up to 75 dB of gain and Advanced Stepped Gain circuit
  • Thunderbolt connectivity for ultra-low latency (1.1ms round trip with Logic Pro X)
  • Front panel Guitar I/O with Class A JFET inputs, dual mode re-amp outputs
  • Includes Waves Gold Bundle (reg. $800) – 35 audio plugins
  • Talkback functionality with built-in mic and control button
  • 2 PurePower headphone outputs
  • 10 separately assignable analog inputs
  • 16 analog outputs of premium Apogee conversion
  • Core Audio optimized DMA engine frees up Mac CPU for plugins and software instruments

True Thunderbolt Performance

Ensemble delivers the full potential of Thunderbolt 2 performance with the lowest latency, unmatched CPU efficiency, 2 ports for expanding your system and a revolutionary 32-bit playback signal path.

The Lowest Latency of any Audio Interface

Ensemble’s proprietary Thunderbolt driver has been written from the ground up for Mac OS X Mavericks, resulting in unmatched performance and efficiency. Latency has been reduced to an astounding 1.1ms round-trip*, allowing you to monitor through your DAW, plug-ins included, simplifying your workflow and leveraging the power of your Mac. Even when your session’s DSP demands require a higher buffer setting, Ensemble’s ultra-low latency means no longer having to choose between power and speed.

To accommodate different workflow preferences, Ensemble features optional direct hardware monitoring through Apogee’s Maestro App with 0.6ms of latency.

* 96kHz / 32 buffer setting

Devours Bits, Sips CPU

Ensemble’s custom driver includes two innovative features to maximize the performance of the software-hardware interface: a full 32-bit signal path from the output of your DAW straight to the high-performance ESS DAC, and a revolutionary Direct Memory Access (DMA) engine to more efficiently read and write data directly to Mac memory independent of the Mac CPU.

The DMA engine, running on Ensemble’s hardware logic chip, reads digital audio data directly from your Mac’s memory in a 32-bit format, increasing the driver’s efficiency and providing the highest resolution signal possible to the DAC stage. This implementation allows the driver to crunch an enormous amount of data at an amazing speed, while making a very light demand on your Mac CPU. You benefit with lower latency, more plug-in power, and a transparent and encompassing listening experience.

Expanding Your System

Intel’s Thunderbolt™ technology was made for connecting multiple high bandwidth peripherals to your Mac. Ensemble includes two Thunderbolt™ 2 ports for conveniently connecting hard drive arrays, video capture devices and Thunderbolt monitors with up to 4k resolution from a single port.

Inputs & Outputs

Guitar I/O

Directly connect your guitars and other instruments to Ensemble using the two front panel ¼” inputs. The inputs’ Class A JFET circuits reproduce the feel and tone of a vintage tube amp for more realistic modeling and add harmonic character to keyboards and other electronic instruments. A “bootstrapping” circuit design provides an ultra-high impedance load to the connected instrument to preserve its tone and high frequency response.

Ensemble Thunderbolt Close Up Guitar InputsConnect your amp to either ¼” output for effortless re-amping. Dual mode switching allows you to easily record your direct guitar signal while listening through your amp, then play the recorded signal back through your amp to refine amp settings and mic placement.

You can also use the Guitar I/O inputs & outputs to insert stomp boxes into your session as an alternative to software plugins. Impedance or level mismatches are not a concern – these connections were made for any guitar gear.

Analog Inputs

Ensemble features 4 Combo inputs (XLR or ¼”) and 4 XLR inputs for connecting up to 8 microphones or a combination of instruments, external mic preamps, and other analog audio devices. Ensemble’s analog inputs now include a line level bypass relay for the purest unity gain signal path to the analog-to-digital converter when the input source is set to line level.

Analog Outputs

Ensemble includes 2 balanced monitor outputs on ¼” TRS connectors and 8 balanced line outputs on 1 D-Sub 25-pin connector. These outputs can be configured for a wide variety of workflows, whether you’re integrating Ensemble with an external console, mixing in the box, or any hybrid of the two.

Headphone Outputs

With the kind of discrete transistor output stage found on power amps, Ensemble’s two independently controlled front panel headphone outputs offer more pristine power than ever before. Drive high impedance headphones louder than you’ll ever need while maintaining ultra low distortion throughout the level range.

Built-in Microphone

Ensemble features the same high quality built-in mic capsule found in Apogee’s ONE for iPad & Mac. Instantly capture your inspirations, keep an audio archive of the session, or record a “crushed room” sound when tracking drums. Most importantly, the built-in mic may be used for talkback.

Analog Inserts

Analog inputs 1 and 2 feature the ability to add a hardware insert between Ensemble’s built-in mic preamp and analog-to-digital converter stage. Easily integrate your favorite analog compressor or EQ, in mono or as a stereo pair, into your recording chain with separate ¼” balanced send and return connector for each channel.

Digital I/O

As the centerpiece of your creative setup, Ensemble provides up to 18 channels of digital I/O, in ADAT, SMUX, S/PDIF optical and S/PDIF coaxial formats, to easily integrate expanders, hardware synths and digital effects. Thanks to Thunderbolt’s high bandwidth, all of Ensemble’s analog and digital I/O are available in your DAW simultaneously.

Word Clock

Ensemble provides Word Clock IN and OUT for syncing with other digital audio gear. Use Ensemble as the master clock to take advantage of Apogee’s superior built-in clocking technology.

Sound Quality- The Apogee Advantage

A Difference You Will Hear

Apogee is an award-winning industry leader in digital recording technology with over 25 years of experience. Preferred by recording pros around the world, Apogee products like Duet, Quartet, the original Ensemble and Symphony I/O have been instrumental in creating countless GRAMMY® and OSCAR® winning recordings and have set the industry standard in professional recording for over two decades. Ensemble is built solidly on this reputation.

TEC Awards

From the mic preamps to the AD/DA converters and the clocking, Ensemble is best-in-class and cutting-edge Apogee technology. With components carefully selected in critical listening tests and a highly efficient circuit design, Ensemble was built by Apogee engineers to make a difference you can hear.

Measurably Superior A/D Conversion

Ensemble’s analog-to-digital conversion stage has been upgraded from previous generations of Apogee products such as Duet and Quartet to provide greater dynamic range, lower distortion and an almost non-existent noise level.

Dynamically Optimized Mic Preamps

Ensemble’s 8 uniquely designed mic preamps feature Apogee’s Advanced Stepped Gain Architecture™, in which the circuit is dynamically optimized to provide superior bandwidth, ultra low noise and nonexistent distortion across the unprecedented gain range of 0-75 dB. Whether recording powerful drums, dynamic vocals or delicate strings, your recordings retain the full impact, intricate detail and lifelike dimension of the original performance.

ESS Sabre32 DAC Technology

ESS Sabre32 32-bit Hyperstream DAC with Time Domain Jitter Eliminator offers unequalled dynamic range, ultra low distortion, and unmatched audio clarity free from input jitter.

Custom Power Regulation for Ultra-Low Noise Performance

Ensemble’s mic pre, A/D and D/A circuitry are powered by discrete, Apogee-designed power regulators for ultra-low noise not obtainable with off-the-shelf components. This design was first implemented in Apogee’s flagship Symphony I/O’s 3-Stage Cascaded power supply.

Soft Limit for protection from digital overs

An Apogee technology first introduced in 1992 on Apogee’s AD-500 converter, Soft Limit can be heard on countless platinum selling records around the world. Once a technology exclusively reserved for Apogee’s most advanced audio converters, Soft Limit is included in Ensemble and can be enabled in Apogee Maestro software.

This superior FET-based analog design prevents the digital clipping that causes distortion by instantaneously rounding off transient peaks before they hit the analog-to-digital converter. Soft Limit allows several more decibels of apparent level to be recorded while subtly providing an analog tape-like warmth to the sound.



Technical Specifications:


  • Computer Connectivity:Thunderbolt 2
  • Form Factor:Rackmount
  • Simultaneous I/O:30 x 34
  • A/D Resolution:24-bit/192kHz
  • Phantom Power:Yes
  • Analog Inputs:4 x XLR/TRS Combo, 2 x 1/4" ( Balanced Inserts), 4 x XLR (Mic/Line), 2 x 1/4" (Guitar/Instrument)
  • Analog Outputs:2 x 1/4" (Monitor), 8 x DB-25, 2 x 1/4" (Headphones), 2 x 1/4" (Guitar/Instrument)
  • Digital Inputs:2 x ADATF (Optical), 1 x S/PDIF (Coax)
  • Digital Outputs:2 x ADAT (Optical), 1 x S/PDIF (Coax)
  • Clock I/O:1 x BNC (In), 1 x BNC (Out)
  • Rack Spaces:1U
  • Height:1.73"
  • Width:19"
  • Depth:12.125"
  • Weight:11.15 lbs.
  • Manufacturer Part Number:ENSEMBLE THUNDERBOLT


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30-in/34-out with 24-bit/192kHz Resolution and 32-bit Playback, 8 Mic Preamps, Soft Limit, OLED Display
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Apogee Symphony I/O Mk II HD 16X16 Pro Tools HD Interface (Apogee Symphony I/O Mk II HD 16X16 Pro Tools HD Interface)

Apogee Symphony I/O Mk II Pro Tools HD Interface Features: Connects directly to Pro Tools HD Native, HDX, or Core/Accel systems. Ultra-low 1.35mS latency. Flexible modular I/O. User-friendly 4.3" TFT touchscreen display and front-panel controls.Since 1985, Apogee has been developing some of the finest pro audio technology, including the famous X-series and Rosetta series converters, the Big Ben master clock, Trak2 mic preamps, Symphony PCI protocol, and Symphony I/O. Now, they put all that experience into their state-of-the-art next-generation multichannel audio interface. Symphony I/O Mk II boasts Apogee's latest flagship AD/DA conversion, as well as ultra-flexible modular I/O that offers up to 32 inputs and outputs and a fast, user-friendly touchscreen display. If your audio production requirements put you on technology's cutting edge, you'll want to equip your studio with Apogee's Symphony I/O Mk II.

Apogee Symphony I/O Mk II Pro Tools HD at a Glance:
  • Harness the sonic potential of Pro Tools HD
  • A system that fits your present and future needs
  • Symphony I/O Mk II Pro Tools HD 16 x 16 features flexible modular I/O

Apogee Symphony I/O Mk II 16X16 Unique Features:

  • Best performance of any multi-channel Pro Tools HD interface
  • Best cost per channel value of any Pro Tools HD interface solution
  • Connects directly to any Pro Tools HD system (Mac or PC)
  • Emulates Avid HD I/O interface, including sample-accurate delay compensation
  • Connect multiple units in a single system (1 unit per HD port)
  • Easy I/O calibration with front panel touchscreen

Apogee Symphony I/O Mk II 16X16 Key Features:

  • Up to 32 channels of modular analog I/O with optional 8 mic preamps
  • Best per-channel value of any interface in its category
  • Choice of Thunderbolt, Pro Tools® HD (Mac/PC) or Waves SoundGrid® connectivity*
  • Ultra-low latency performance
  • Intuitive touchscreen display and front panel control
  • Option card slot for future platform flexibility
  • Designed in California, Built in the U.S.A.
Harness the sonic potential of Pro Tools HD

If you're a Pro Tools HD user who requires a multichannel audio interface with stellar sound quality and outstanding dollar-per-channel value, Apogee designed the Symphony I/O Mk II HD for you. Whether your studio is Mac or PC based, Symphony I/O Mk II HD connects directly to the Digilink port on your Pro Tools HD Native, HDX, or Core/Accel system.

A system that fits your present and future needs

Available in several different configurations, Symphony I/O has you covered whether you're running a home studio, a project studio, a scoring stage, or a world-class commercial facility. Apogee offers four basic I/O schemes: 2 x 6, 8 x 8, 16 x 16, or 8 x 8 plus eight mic preamps. And it's easy to expand your setup as your needs grow. Featuring two module slots, your Symphony I/O Mk II system can accommodate up to 32 inputs and outputs of A/D and D/A conversion per unit. At Sweetwater, we're very impressed with the Symphony I/O Mk II. Cutting-edge performance, flexibility, and amazing value - the Symphony I/O Mk II provides exactly what we expect from Apogee.

Symphony I/O Mk II Pro Tools HD 16 x 16 features flexible modular I/O

Analog and Digital Inputs:

  • Analog In - 16 balanced inputs on two 25-pin D-Sub connectors
  • Digital In - two channels of S/PDIF coax; up to 192kHz on one RCA connector

Analog and Digital Outputs:

  • Analog Out - 16 balanced outputs on two 25-pin D-Sub connectors
  • Digital Out - two channels of S/PDIF coax; up to 192kHz on one RCA connector
Apogee Symphony I/O Mk II Pro Tools HD Interface Features:
  • Apogee's next-gen multichannel audio interface
  • Class-leading AD/DA conversion
  • Connects directly to Pro Tools HD Native, HDX, or Core/Accel systems
  • Ultra-low 1.35mS latency
  • Flexible modular I/O
  • User-friendly 4.3" TFT touchscreen display and front-panel controls
  • Easy to expand your setup as your needs grow
  • Outstanding per-channel value
Step up to the state-of-the-art with Apogee Symphony I/O Mk II!

Tech Specs

  • Computer Connectivity:Mini-DigiLink Port, USB
  • Form Factor:Rackmount
  • Simultaneous I/O:16 x 16
  • A/D Resolution:44.1kHz-192kHz
  • Analog Inputs:2 x DB25
  • Analog Outputs:2 x DB25, 1 x 1/4" (headphones)
  • Digital Inputs:1 x S/PDIF
  • Digital Outputs:1 x S/PDIF
  • Clock I/O:2 x In, 2 x Out
  • Data I/O:Mini-DigiLink Port, USB Type B
  • Rack Spaces:2U
  • Height:3.5"
  • Width:19"
  • Depth:11.5"
  • Manufacturer Part Number:SYM2-16X16S2-PTHD
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Multichannel Pro Tools HD Audio Interface
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Apogee Symphony I/O Mk II 8x8 Thunderbolt Audio Interface (Apogee Symphony I/O Mk II 8x8 Thunderbolt Audio Interface)

Apogee Symphony I/O MKII 8x8 Thunderbolt is powerful multi-channel audio interface for Thunderbolt-based Mac workstations,with unmatched CPU efficiency.Apogee has been developing the finest pro audio technology, including the famous X-series and Rosetta series converters, the Big Ben master clock, the Trak2 mic preamps, the Symphony PCI protocol, and Symphony I/O. Now, they put all that experience into their state-of-the-art next-generation multichannel audio interface. Symphony I/O Mk II boasts Apogee's latest flagship AD/DA conversion, as well as ultra-flexible modular I/O that offers up to 32 inputs and outputs and a fast, user-friendly touchscreen display. If your audio production requirements put you on technology's cutting edge, you'll want to equip your studio with Apogee's Symphony I/O Mk II.

Apogee Symphony I/O Mk II Thunderbolt at a Glance:
  • Harness the power and speed of Apogee Thunderbolt
  • A system that fits your present and future needs
  • Symphony I/O Mk II Thunderbolt 8 x 8 features flexible modular I/O
Harness the power and speed of Apogee Thunderbolt

Symphony I/O Mk II Thunderbolt fortifies your studio with the refined power of Apogee's latest state-of-the-art multichannel audio interface for Thunderbolt-based Mac workstations. Whether you work in your personal project studio or a professional recording facility running any native DAW, Symphony I/O Mk II Thunderbolt gives you the flexibility of four base I/O configurations, and you'll have the option to expand your system up to 32 concurrent channels per unit - all with ultra-low 1.35mS latency!

A system that fits your present and future needs

Available in several different configurations, Symphony I/O has you covered whether you're running a home studio, a project studio, a scoring stage, or a world-class commercial facility. Apogee offers four basic I/O schemes: 2 x 6, 8 x 8, 16 x 16, or 8 x 8 with eight mic preamps. And it's easy to expand your setup as your needs grow. Featuring two module slots, your Symphony I/O Mk II system can accommodate up to 32 inputs and outputs of A/D and D/A conversion per unit. At Sweetwater, we're impressed with the Symphony I/O Mk II. Cutting-edge performance and flexibility, and amazing value - exactly what we expect from Apogee.

Symphony I/O Mk II Thunderbolt 8 x 8 features flexible modular I/O

Analog and Digital Inputs:

  • Analog In - eight balanced inputs on one 25-pin D-Sub connector
  • AES-EBU In - eight inputs on one 25-pin D-Sub connector
  • Optical In - supports ADAT, SMUX, and S/PDIF:
    • ADAT - eight channels; 44.1kHz-48kHz on one TOSlink connector
    • SMUX - eight channels; 88.2kHz-96kHz on two TOSlink connectors
    • S/PDIF - two channels; up to 96kHz on one TOSlink connector
  • S/PDIF Coaxial In - two channels; up to 192kHz on one RCA connector

Analog and Digital Outputs:

  • Analog Out - eight balanced outputs on one 25-pin D-Sub connector
  • AES-EBU Out - eight outputs on one 25-pin D-Sub connector
  • Optical Out - supports ADAT, SMUX, and S/PDIF:
    • ADAT - eight channels; 44.1kHz-48kHz on one TOSlink connector
    • SMUX - eight channels; 88.2kHz-96kHz on two TOSlink connectors
    • S/PDIF - two channels; up to 96kHz on one TOSlink connector
  • S/PDIF Coaxial Out - two channels; up to 192kHz on on RCA connector
Apogee Symphony I/O Mk II Thunderbolt Interface Features:
  • Apogee's next-gen multichannel audio interface
  • Class-leading AD/DA conversion for Thunderbolt audio interfaces
  • Ultra-low 1.35mS latency
  • Flexible modular I/O
  • User-friendly 4.3" TFT touchscreen display and front-panel controls
  • Easy to expand your setup as your needs grow
  • Outstanding per-channel value
Step up to the state-of-the-art with Apogee Symphony I/O Mk II!

Tech Specs

  • Computer Connectivity:Thunderbolt
  • Simultaneous I/O:16 x 16
  • A/D Resolution:24-bit/192kHz
  • Analog Inputs:1 x 25-pin D-Sub
  • Analog Outputs:1 x 25-pin D-Sub
  • Digital Inputs:1 x AES (1 x 25-pin D-Sub)
  • Digital Outputs:8 x AES (1 x 25-pin D-Sub), S/MUX, ADAT, S/PDIF (Optical), S/PDIF (Coax)
  • Clock I/O:1 x Word Clock (In/Out via BNC)
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Multichannel Thunderbolt Audio Interface with 8x8 Analog I/O and 8x8 AES/Optical I/O - Mac
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Apogee ELEMENT 24 - Thunderbolt Audio Interface (Apogee ELEMENT 24 - Thunderbolt Audio Interface)

The Element 24 is a 10-in/12-out audio interface that takes the best of cutting-edge Apogee gear and packs it into a streamlined, cost-effective unit. The Element 24 gives you two front-panel mic/line/instrument inputs on combination connectors, two rear-panel balanced XLR outputs, a stereo headphone out, and word clock I/O.If you record to your Mac with one or two inputs at a time, the Apogee Element 24 is for you. Two of Apogee's world-class mic preamps are onboard, with selectable phantom power. For expansion flexibility, optical I/O is also provided with ADAT (8 x 8), SMUX (4 x 4), and S/PDIF (2 x 2) compatibility. Apogee's Element Control software gives you remote control of your hardware on your Mac and wireless control via iPhone, iPad, or iPod touch.

Superior conversion for tracks that blend harmoniously

Top-notch A/D conversion is an essential ingredient for capturing every nuance of your digital recordings. Apogee's Element series interfaces feature high-quality Apogee A/D conversion that minimizes noise and maximizes signal quality, for tracks that sound amazing and sit perfectly in your mix. You'll hear enhanced definition in every track and virtual instrument. Tracks will blend more harmoniously, making precision adjustments — and achieving the perfect mix balance — easier.

Microphone preamps that can do it all

Drums, vocals, guitar, strings, brass — each source places unique demands on your mic preamp. You need a preamp that can do it all, capturing the minute details of every performance. Apogee's Element series mic preamps are engineered with the company's Advanced Stepped Gain Architecture, an analog circuit that dynamically optimizes across a 0-75dB gain range to provide exceptional bandwidth with the lowest possible distortion.

State-of-the-art Apogee clocking

Your audio interface's clock source is like a conductor, meting out tempo to the orchestra. A digital audio clock delivers a timing signal to all parts of a digital audio system, synchronizing every part of the AD/DA process. Every Apogee Element series interface is spec'd with its own onboard clock source that provides pro-studio-grade word clock I/O for syncing with other digital audio equipment. Slave your Element to other gear, or take advantage of Apogee's superior clocking technology by using your interface as a master clock.

Ultra-low latency Thunderbolt connectivity

Apogee's Element Thunderbolt driver delivers impressive low-latency round-trip performance (1.41ms), along with rock-solid stability. This proprietary driver also draws less CPU power thanks to Apogee's Direct Memory Access (DMA) technology. At Sweetwater, we can confirm that the DMA implementation in the Element series lets you run more plug-ins and monitor through your DAW at low buffer settings. With Apogee Element interfaces, you no longer have to choose between speed and power!

Value-priced expandability for your Ensemble Thunderbolt

Need more I/O for your Apogee Ensemble Thunderbolt? Connect any Element-series interface to your Ensemble Thunderbolt for Ensemble-quality I/O at an incredible price.


Apogee Element 24 Features:

 10-in/12-out Thunderbolt audio interface for Mac computers

  • Up to 24-bit/192kHz AD/DA conversion for recording
  • 2 front-panel mic/line/instrument inputs on combi connectors
  • 2 world-class Apogee mic preamps, selectable phantom power
  • 4 analog outputs: 2 balanced rear-panel XLR outputs and 1/4" stereo headphone output
  • Single-port Thunderbolt connectivity with 1.41ms round-trip latency at 96kHz (with buffer setting 32)
  • Optical In — supports ADAT, SMUX, and S/PDIF: ADAT — 8 channels, 44.1kHz-48kHz on 1 TOSlink connector; SMUX — 4 channels, 88.2kHz-96kHz on 2 TOSlink connectors; S/PDIF — 2 channels, up to 192kHz on 1 TOSlink connector
  • Optical Out — supports ADAT, SMUX, and S/PDIF: ADAT — 8 channels, 44.1kHz-48kHz on 1 TOSlink connector; SMUX — 4 channels, 88.2kHz-96kHz on 2 TOSlink connectors; S/PDIF — 2 channels, up to 192kHz on 1 TOSlink connector
  • Word clock I/O (BNC connectors) for sync with other digital audio gear
  • Element Control Software for Mac provides control of hardware parameters, including Input gain, Output level, and low-latency monitoring
  • Element Control Mobile App for wireless remote control via iPhone, iPad, or iPod touch
  • Compatible with optional Apogee Control hardware remote control
  • Multi-unit Thunderbolt support for connection of any 2 Element units to your Mac
  • Connect any Element-series interface to your Ensemble Thunderbolt for Ensemble-quality I/O at an incredible price
  • Direct monitoring feature in Logic Pro X eliminates recording latency

Tech Specs

  • Computer Connectivity:Thunderbolt
  • Form Factor:Desktop
  • Simultaneous I/O:10 x 12
  • A/D Resolution:24-bit, up to 192kHz
  • Number of Preamps:2
  • Phantom Power:2 channels
  • Analog Inputs:2 x XLR-1/4" combo
  • Analog Outputs:2 x XLR (main out)
  • Digital Inputs:1 x Optical (ADAT, SMUX, S/PDIF)
  • Digital Outputs:1 x Optical (ADAT, SMUX, S/PDIF)
  • Headphones:1 x 1/4"
  • Clock I/O:In/Out
  • OS Requirements - Mac:OS X 10.10 or later (Element Control Software), iOS compatible (Element Control App)
  • Height:1.75"
  • Width:9.75"
  • Depth:5.5"
  • Weight:2.5 lbs.
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Thunderbolt Audio Interface with 2 Mic/Line/Instrument Inputs, 2 Balanced XLR Outputs
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Apogee ELEMENT 46 - Thunderbolt Audio Interface (Apogee ELEMENT 46 - Thunderbolt Audio Interface)
Element 46 is great for any collaborating musician recording at home, on the go or in a small project studio.12 IN x 14 OUT Thunderbolt Audio I/O Box for Mac With 4 analog inputs (including 4 world-class mic preamps), 2 headphone outputs and stereo speaker outputs, Element 46 is the perfect upgrade from an entry level audio interface.

Apogee’s Element 24, 46 and 88 are Thunderbolt audio I/O boxes for Mac. The Element Series takes the best of cutting-edge Apogee gear like Symphony I/O Mk II, Ensemble Thunderbolt and Groove and puts it into simple form factors. With streamlined hardware features and advanced software control, the Element series delivers ultimate recording quality and performance at unprecedented prices.

The Elements of Excellent Audio


Analog to Digital Conversion

A high-quality A/D converter is critical for capturing every detail of your recordings into your computer. The Element series features some of the best Apogee A/D conversion. Recording through an Element ensures you will minimize unwanted noise and maximize the signal quality. Your tracks will sound amazing and mixing your project will be easier.


Microphone Preamps

Whether you are recording powerful drums, dynamic vocals or delicate strings, you need a premium mic preamp to capture the finest details of the performance. The Element Series mic preamps feature Apogee’s Advanced Stepped Gain Architecture™. This analog circuit is designed to dynamically optimize across a gain range of 0-75dB to provide superior bandwidth and low distortion.


Digital to Analog Conversion

With a high-quality D/A converter, you will hear more definition in each track and virtual instrument. This clarity makes it easier for you to make precise adjustments and achieve the ideal balance when mixing your music. When you listen to your sessions through an Element, tracks will blend more harmoniously and mixing will be easier. The high end will sound crisp and clear and the low end will be tight and well defined.


Clocking

An audio interface relies on a clock source like an orchestra relies on a conductor. A digital audio clock provides a timing signal to all the parts of a digital audio system so that each part of the AD/DA process may be synchronized. Element has its own built-in clock source and provides professional Word Clock IN and OUT for syncing with other digital audio gear. Use Element as the master clock to take advantage of Apogee’s superior built-in clocking technology.

All of Symphony I/O Mk II’s essential input and output settings can be accessed from the front panel touchscreen. Change your input selection, monitoring levels, mic pre gain or calibrate your Symphony I/O Mk II to match the levels of the other analog gear in your system. A high-resolution TFT display delivers all the visual feedback critical for recording and monitoring. Without looking at your computer, Symphony I/O Mk II lets you see metering for up to 64 channels of I/O, 32 IN x 32 OUT – signal levels, polarity, muting, phantom power and Soft Limit.

Thunderbolt Connectivity

The Element Series Thunderbolt driver offers incredible low-latency performance (1.41 ms round-trip) and rock-solid stability. Apogee’s custom driver uses less of your computer’s CPU power with the help of Direct Memory Access (DMA) technology. This allows you to run more plugins and monitor through your DAW at a low buffer setting. Element’s low latency driver means you don’t have to choose between power and speed.ing.

Element 46 Highlights

  • 12 IN x 14 OUT Audio I/O box
  • AD/DA conversion for recording up to 192kHz/24-bit
  • 4 analog inputs with world-class mic preamps and selectable 48v phantom power for connecting microphones, instruments or line-level devices
    • 4 combination inputs
  • 6 analog outputs
    • 2 balanced L/R XLR outputs
    • 2 1/4” stereo headphone output
  • Single port Thunderbolt connectivity to Mac for ultra-low latency performance
    • 1.41ms round-trip at 96kHz with a 32 buffer setting
  • Optical IN: Supports ADAT, SMUX & S/PDIF
    • ADAT: 8 channels 44.1-48 kHz on 1 Toslink connector
    • SMUX: 4 channels 88.2-96 kHz on 1 Toslink connector
    • S/PDIF: 2 channels, up to 192 kHz on 1 Toslink connector
  • Optical OUT: Supports ADAT, SMUX & S/PDIF
    • ADAT: 8 channels 44.1-48 kHz on 1 Toslink connector
    • SMUX: 4 channels 88.2-96 kHz on 1 Toslink connector
    • S/PDIF: 2 channels, up to 192 kHz on 1 Toslink connector
  • Word Clock IN/OUT via BNC connections for syncing with other digital audio gear
  • Element Control Software for Mac provides all control of hardware parameters including input gain, output level and low latency monitoring
  • Element Control Mobile App provides wireless remote control of hardware via iPhone, iPad or iPod touch
  • Works with Apogee Control – Optional desktop hardware remote control (Sold separately)
  • Multi-Unit Thunderbolt support – Connect any two Element audio I/O boxes directly to Thunderbolt ports on your computer
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Thunderbolt Audio Interface with 4 Mic/Line/Instrument Inputs, 2 Balanced XLR Outputs
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Apogee ELEMENT 88 - Thunderbolt Audio Interface (Apogee ELEMENT 88 - Thunderbolt Audio Interface)
Apogee Element 88 is a high quality Thunderbolt Audio Interface that offers the best sound quality of any 8 IN x 8 OUT audio interface.16 IN x 16 OUT Thunderbolt Audio I/O Box for Mac.Ideal for the producer, engineer or musician, Element 88 gives you all the I/O you need to record drums or a full band.

Apogee’s Element 24, 46 and 88 are Thunderbolt audio I/O boxes for Mac. The Element Series takes the best of cutting-edge Apogee gear like Symphony I/O Mk II, Ensemble Thunderbolt and Groove and puts it into simple form factors. With streamlined hardware features and advanced software control, the Element series delivers ultimate recording quality and performance at unprecedented prices.

Apogee Element 88 Highlights

  • 16 IN x 16 OUT Audio I/O box
  • AD/DA conversion for recording up to 192kHz/24-bit
  • 8 analog inputs with world-class mic preamps and selectable 48v phantom power for connecting microphones, instruments or line-level devices
    • 4 combination inputs
    • 4 XLR inputs
  • 8 analog outputs
    • 2 balanced L/R XLR outputs
    • 2 balanced 1/4” outputs
    • 2 1/4” stereo headphone outputs
  • Single port Thunderbolt connectivity to Mac for ultra-low latency performance
    • 1.41ms round-trip at 96kHz with a 32 buffer setting
  • Optical IN: Supports ADAT, SMUX & S/PDIF
    • ADAT: 8 channels 44.1-48 kHz on 1 Toslink connector
    • SMUX: 4 channels 88.2-96 kHz on 1 Toslink connector
    • S/PDIF: 2 channels, up to 192 kHz on 1 Toslink connector
  • Optical OUT: Supports ADAT, SMUX & S/PDIF
    • ADAT: 8 channels 44.1-48 kHz on 1 Toslink connector
    • SMUX: 4 channels 88.2-96 kHz on 1 Toslink connector
    • S/PDIF: 2 channels, up to 192 kHz on 1 Toslink connector
  • Word Clock IN/OUT via BNC connections for syncing with other digital audio gear
  • Element Control Software for Mac provides all control of hardware parameters including input gain, output level and low latency monitoring
  • Element Control Mobile App provides wireless remote control of hardware via iPhone, iPad or iPod touch
  • Works with Apogee Control – Optional desktop hardware remote control (Sold separately)
  • Multi-Unit Thunderbolt support – Connect any two Element audio I/O boxes directly to Thunderbolt ports on your computer

The Elements of Excellent Audio

Analog to Digital Conversion

A high-quality A/D converter is critical for capturing every detail of your recordings into your computer. The Element series features some of the best Apogee A/D conversion. Recording through an Element ensures you will minimize unwanted noise and maximize the signal quality. Your tracks will sound amazing and mixing your project will be easier.


Microphone Preamps

Whether you are recording powerful drums, dynamic vocals or delicate strings, you need a premium mic preamp to capture the finest details of the performance. The Element Series mic preamps feature Apogee’s Advanced Stepped Gain Architecture™. This analog circuit is designed to dynamically optimize across a gain range of 0-75dB to provide superior bandwidth and low distortion.


Digital to Analog Conversion

With a high-quality D/A converter, you will hear more definition in each track and virtual instrument. This clarity makes it easier for you to make precise adjustments and achieve the ideal balance when mixing your music. When you listen to your sessions through an Element, tracks will blend more harmoniously and mixing will be easier. The high end will sound crisp and clear and the low end will be tight and well defined.


Clocking

An audio interface relies on a clock source like an orchestra relies on a conductor. A digital audio clock provides a timing signal to all the parts of a digital audio system so that each part of the AD/DA process may be synchronized. Element has its own built-in clock source and provides professional Word Clock IN and OUT for syncing with other digital audio gear. Use Element as the master clock to take advantage of Apogee’s superior built-in clocking technology.

All of Symphony I/O Mk II’s essential input and output settings can be accessed from the front panel touchscreen. Change your input selection, monitoring levels, mic pre gain or calibrate your Symphony I/O Mk II to match the levels of the other analog gear in your system. A high-resolution TFT display delivers all the visual feedback critical for recording and monitoring. Without looking at your computer, Symphony I/O Mk II lets you see metering for up to 64 channels of I/O, 32 IN x 32 OUT – signal levels, polarity, muting, phantom power and Soft Limit.

Thunderbolt Connectivity

The Element Series Thunderbolt driver offers incredible low-latency performance (1.41 ms round-trip) and rock-solid stability. Apogee’s custom driver uses less of your computer’s CPU power with the help of Direct Memory Access (DMA) technology. This allows you to run more plugins and monitor through your DAW at a low buffer setting. Element’s low latency driver means you don’t have to choose between power and speed.ing.
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Thunderbolt Audio Interface with 8 Analog Inputs, 8 Mic Preamps, 2 Balanced XLR Output
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Apogee Symphony I/O Mk II 8X8 + 8MP Thunderbolt Audio Interface (Apogee Symphony I/O Mk II 8X8 + 8MP Thunderbolt )

Apogee Symphony I/O Mk II 8X8 + 8MP Unique Features:

  • Apogee’s best-sounding and most transparent interface to date
  • Best AD/DA conversion of any Thunderbolt™ audio interface
  • User-expandable with up to four I/O Modules
  • Intuitive touchscreen display and front panel control

Apogee Symphony I/O Mk II 8X8 + 8MP Thunderbolt Audio Interface

Professional-grade audio interface with renowned Apogee conversion, Low-Latency Thunderbolt Connection and user-upgradeable I/O

Thanks to Apogee Symphony I/O Mk II professional audio interfaces, gone are days when audio professionals, looking for the highest-quality conversion for their DAWs, would have to purchase two expensive interfaces to do one job: one interface to talk to the “industry-standard” DAW software and outboard gear, and Apogee converters to bypass the ADA of the interface/dongle. With Apogee Symphony I/O, you have flexible, reconfigurable I/O, plus Apogee’s industry-renowned conversion and world-class microphone preamps. Symphony I/O’s user-configurability allows you to customize or expand I/O without complicating your setup with submixers, format converters, sidecars, or additional components cluttering your signal path—just pure Apogee quality through and through.

The new Symphony I/O Mk II comes with direct connectivity to one of three different platforms – Thunderbolt™, Pro Tools® HD or Waves SoundGrid® network.

Apogee Symphony I/O Mk II 8X8 + 8MP Key Features:

  • Up to 32 channels of modular analog I/O with optional 8 mic preamps
  • Best per-channel value of any interface in its category
  • Choice of Thunderbolt, Pro Tools® HD (Mac/PC) or Waves SoundGrid® connectivity*
  • Ultra-low latency performance
  • Intuitive touchscreen display and front panel control
  • Option card slot for future platform flexibility
  • Designed in California, Built in the U.S.A.

The Apogee Symphony I/O family

Apogee’s Symphony I/O Mk II offers four base configurations that provide a suitable solution plus expansion capabilities for home studio, project studio, commercial recording studio, or scoring stage

Apogee Symphony I/O front panel touch screen

All of Symphony I/O Mk II’s essential input and output settings can be accessed from the front panel touchscreen. Change your input selection, monitoring levels, mic pre gain or calibrate your Symphony I/O Mk II to match the levels of the other analog gear in your system. A high-resolution TFT display delivers all the visual feedback critical for recording and monitoring. Without looking at your computer, Symphony I/O Mk II lets you see metering for up to 64 channels of I/O, 32 IN x 32 OUT – signal levels, polarity, muting, phantom power and Soft Limit.

Apogee Symphony I/O rear panel

The rear panel of the Symphony I/O is where the modular magic happens. It has two module slots and is capable of up to 32 channels of I/O in various combinations (depending on module choice), plus PCI, USB 2.0, and Ethernet (for future connectivity). The base unit also features word clock connectors and termination, plus a quiet, high-performance, digitally controlled fan for cool running.
INPUTS

Analog Inputs

8 built-in mic preamps
Digitally controlled, 85dB microphone preamps
4 Hi-Z 1/4” instrument inputs capable of handling high level instruments
Selectable 48v phantom power, Soft Limit and phase invert
8 balanced inputs on 1 DSUB 25-pin connector
Inserts

8 balanced software assignable analog insert points
Return 1-8 on 1 DSUB 25-pin connector
Digital Inputs

*AES-EBU IN: 8 inputs on 1 DSUB 25-pin connector
*Optical IN: Supports ADAT, SMUX & S/PDIF
ADAT: 8 channels 44.1-48 kHz on 1 Toslink connector
SMUX: 8 channels 88.2-96 kHz on 2 Toslink connectors
S/PDIF: 2 channels, up to 96 kHz on 1 Toslink connector
Coax IN: 2 channels of S/PDIF, up to 192 kHz on 1 RCA connector

OUTPUTS

Analog Outputs

8 balanced outputs on 1 DSUB 25-pin connector

Inserts

8 balanced software assignable analog insert points
Send 1-8 on 1 DSUB 25-pin connector

Digital Outputs

*AES-EBU OUT: 8 outputs on 1 DSUB 25-pin connector
*Optical OUT: Supports ADAT, SMUX & S/PDIF
ADAT: 8 channels 44.1-48 kHz on 1 Toslink connector
SMUX: 8 channels 88.2-96 kHz on 2 Toslink connectors
S/PDIF: 2 channels, up to 96 kHz on 1 Toslink connector
Coax OUT: 2 channels of S/PDIF, up to 192 kHz on 1 RCA connector





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Low-Latency Thunderbolt Connection and user-upgradeable I/O
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Apogee ELEMENT Control (Apogee ELEMENT Control)

Apogee ELEMENT Control

16 IN x 16 OUT Thunderbolt Audio I/O Box for Mac

Apogee Control is a desktop hardware remote control for the Apogee Element Series, Ensemble Thunderbolt, and Symphony I/O MK II
Sometimes, it just feels right to have hardware control at your fingertips – with the Apogee Control hardware remote, you have 8 buttons and a control knob that you can configure to control a wide range of settings. Apogee Control hardware remote connects directly to your Mac using a simple USB cable.

Apogee ELEMENT Control

  • Desktop hardware remote control
  • Works with Element Series, Ensemble Thunderbolt, and Symphony I/O Mk II Thunderbolt
  • Connects directly to any available USB port on your Mac
  • 8 Assignable buttons
  • 1 Assignable control knob
  • Can be configured to control multiple units
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16 IN x 16 OUT Thunderbolt Audio I/O Box for Mac.
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Apogee Quartet - 12 In x 8 Out USB Audio Interface and Studio Control Center (Apogee Quartet )
Apogee Quartet is the ultimate desktop audio interface and studio control center for professional recording on Mac and iPad. Made for the musician, producer and engineer that wants the ultimate sound quality and studio control in a compact desktop form factor, Quartet features legendary Apogee AD/DA conversion, 4 world-class microphone preamps, USB MIDI I/O, ESS Sabre32 DAC technology and monitor controls.

The ultimate desktop audio interface and control center for iPad and Mac

With Quartet’s 4 Combo inputs you can connect microphones, guitars, keyboards or line level devices such as external mic preamps or a mixing board. Expand your system with 8 additional inputs via Quartets optical (ADAT/SMUX) digital IN. Quartet also includes 8 analog outputs – 6 1/4” balanced outputs for connection to speakers or outboard equipment and a separate, independently controlled 1/4” stereo headphone output. You can control up to 3 pairs of speakers or set Quartet up for 5.1 surround monitoring.

Apogee Quartet Highlights

  • AD/DA conversion for recording up to 192kHz / 24-bit.
  • 4 analog inputs with world-class mic preamps and selectable 48v phantom power for connecting microphones, instruments or line-level devices.
  • 8 analog outputs – 6 balanced 1/4” outs for speakers or outboard gear, 1/4” stereo headphone output.
  • 8 digital inputs via 2 optical connections (ADAT/SMUX).
  • Monitor control for up to 3 sets of speakers or 5.1 surround.
  • USB 2.0 High Speed connection to Mac.
  • Direct digital connection with iOS devices (iPhone, iPad and iPod touch. 30-pin cable sold separately).
  • Software control of hardware parameters including input selection and low latency monitoring.

Legendary Sound Quality

Apogee is an award-winning industry leader in digital recording technology with over 25 years of experience. Preferred by recording pros around the world, Apogee products like Duet, Ensemble and Symphony I/O have been instrumental in creating countless GRAMMY® and OSCAR® winning recordings and have set the industry standard in professional recording for over two decades. Quartet is built solidly on this reputation.

A difference you will hear

From the mic preamps to the AD/DA converters and the clocking, Quartet is best-in-class and cutting-edge Apogee technology. With components carefully selected in critical listening tests and a highly efficient circuit design, Quartet was built by Apogee engineers to make a difference you can hear.

Pristine, next generation AD/DA converters

Quartet’s AD/DA converters are designed to deliver the purest recordings and best listening experience possible. Quartet’s efficient circuitry and state-of-the-art components provide a simplified signal path resulting in incredibly transparent recordings.

Smooth, detailed world-class mic preamps

Much like the AD/DA converters, Quartet’s mic preamps feature the latest components and offer seamless click-free transitions as the gain increases and decreases throughout the incredible range of 0-75dB. This unprecedented feature allows you to dial in the perfect level, either with the controller knob or from within software, while delivering ultra-low noise and smooth, crisp detail. Quartet’s mic pres are suitable for all dynamic, condenser or ribbon microphones, allowing you to capture any sound without compromise.

Soft Limit for protection from digital overs

An Apogee technology first introduced in 1992 on Apogee’s AD-500 converter, Soft Limit can be heard on countless platinum selling records around the world. Once a technology exclusively reserved for Apogee’s most advanced audio converters, Soft Limit is included in Quartet and can be enabled in Apogee Maestro software.

This superior analog design prevents the digital clipping that causes distortion by instantaneously rounding off transient peaks before they hit the analog-to-digital converter. Soft Limit allows several more decibels of apparent level to be recorded while subtly providing an analog-like warmth to the sound.

ESS Sabre32 DAC Technology

ESS Sabre32 32-bit Hyperstream DAC with Time Domain Jitter Eliminator offers unequalled dynamic range, ultra low distortion, and unmatched audio clarity free from input jitter.

While ESS Sabre32 DAC has been widely recognized and employed in the audiophile community as the next step in converter technology, Apogee is one of the first pro audio manufacturers to employ this DAC in an interface designed for audio and video professionals. ESS Sabre32 DAC technology, as employed in Duet 2, Duet for iPad & Mac, Quartet and Symphony I/O, is one ingredient in the Apogee Engineering Difference. The benefits of the ESS Sabre32 DAC include:

32-bit DAC Architecture – Compared to older 24-bit technology, the Sabre32 DAC’s 32-bit filter processing results in significantly lower noise and distortion, for a pure listening experience free from artifacts. 32-bit digital attenuation ensures that sonic purity is maintained at any listening level.

Time Domain Jitter Elimination removes clock inconsistencies from the incoming digital data, so the converted analog output preserves the clarity and soundstage detail of the original recording.

Inputs & Outputs

All the I/O You Need

Analog Inputs
Quartet is equipped with 4 combination input connectors (XLR and 1/4”) for connecting microphones, guitars and keyboards or your favorite external mic preamps, compressors and EQs.

Digital Input
Quartet also includes 8 channels of digital input via 2 optical connections (ADAT/SMUX) for connecting an additional analog-to-digital converter such as Apogee’s Ensemble.

Analog Outputs
Quartet’s 6 balanced 1/4” TRS outputs offer an impressive range of possibilities. Listen and compare stereo mixes on up to three sets of speakers. Mix your audio or Final Cut video project in 5.1 surround. You can also take Quartet on the road and use all three stereo sets on stage, sending signal to the performer, monitor mixer and front-of-house. Quartet also features a studio-quality 1/4” headphone output allowing you to independently adjust your headphone level separate from the main outputs.

Word Clock
Quartet provides Word Clock OUT for synching an external A/D converter to Apogee’s superior clocking technology.

MIDI
Quartet provides a single USB MIDI connection for your CoreMIDI compatible keyboard, synth, or DJ controller. This eliminates the need for an external MIDI interface and promotes an all-in-one music creation solution where Quartet and Maestro manage all audio and MIDI. On iPad, Quartet’s MIDI connection allows both Quartet and a keyboard or DJ controller to be connected at the same time to the iPad’s single 30-pin dock port.



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12 In x 8 Out USB Audio Interface
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Apogee GiO - Guitar Interface and Stomp Pedal for Mac (Apogee GiO - Guitar Interface and Stomp Pedal for Mac)

Apogee GiO - Guitar Interface and Stomp Pedal for Mac

Apogee GiO is a studio quality, portable guitar interface that turns your Mac into the ultimate guitar rig for recording, rehearsing, or performing live on stage.GiO unlocks total control of the virtual guitar amps and effects in GarageBand, Logic, and MainStage through a single foot controller and professional audio interface. Easily turn effects on and off, select presets and control recording functions without ever letting your hands leave your guitar. With Apogee’s industry-leading conversion and preamps, you won’t need to lug around an amp or other heavy gear to sound amazing.

GiO is simple to use and great for any guitar player with a Mac looking for a wide variety of virtual amps, effects and guitar tones for recording, rehearsing, or live performance.

Apogee GiO Highlights

  • Studio quality guitar interface for recording, rehearsing, or live performance
  • Advanced AD/DA converters and instrument preamp technology deliver your guitar’s true tone
  • Designed specifically for electric guitar and electric bass
  • Optimized for active and passive pickups
  • GiO’s excellent signal quality optimizes the sound of virtual amps and effects
  • Hands free recording, effects on/off and preset selection
  • Can be used with guitar amp, headphones and powered speakers

GiO Feature Overview

Software Control with GiO

Stomp on it. Effects control without the mouse.

Imagine finding your sound without going back and forth from your guitar to your Mac. With GiO, you can audition effects presets in GarageBand, Logic and MainStage, and turn effects on and off while playing or recording… all without touching your keyboard.

Hands free recording.

GiO frees you from key-command recording allowing you to concentrate on your performance and not the space bar. The five transport buttons on GiO let you record, play, stop and quickly navigate thru your track without taking your hands off the neck of your guitar.

“Next” preset please.

Previous and Next preset select buttons let you quickly audition and toggle between guitar amps and effects presets in Logic and GarageBand and the patch lists in MainStage.

Inputs and Outputs with GiO

Instrument input

GiO’s 1/4” instrument input features Apogee’s world-class instrument preamp and converters. Hear and record your guitar’s true tone straight into Apple’s Logic, MainStage and GarageBand software without compromise. GiO is optimized for all pickup configurations from the most basic single coil to sophisticated active electronics setups.

MIDI Expression pedal input

GiO’s Expression control pedal input allows access to traditional effects like wah-wah, and volume. Also, control effects parameters like the length of a delay or the speed of a tremolo. (Expression Control Pedal not included). Approved expression pedals include: Yamaha FC-7 and Roland EV-5

USB

GiO is fully powered by the USB connection to your Mac eliminating the need for an external power source. Simply plug into an available USB port on any Mac and you’re ready to go.

Output: Headphones, monitors or instrument amplifier

Hear your guitar and recording like never before. Connect your headphones, powered monitors or instrument amplifier to Apogee converters via GiO’s 1/4” stereo output and listen to your guitar and mix with incredible clarity and dimension.

Unbalanced 1/4” high impedance instrument input 1/4” MIDI Expression pedal input Line-level, 1/4” stereo output for headphones, powered monitors or an instrument amplifier A/D and D/A conversion @ 44.1/48kHz, 24-bit 5 Stompbox buttons, dynamically color coded to match software effects 5 Transport control buttons, dynamically lit when engaged 2 “Previous/Next” preset selection buttons Control built into Apple’s GarageBand '09, Logic Pro 9, and MainStage 2 software Dimensions: 7" W x 18" L x 2.5" H
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Studio quality guitar interface for recording, rehearsing
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Apogee Symphony I/O Module - 16x16 Analog Mk II (Apogee Symphony I/O Module - 16x16 Analog Mk II)

Apogee Symphony I/O Module - 16x16 Analog Mk II

Apogee’s 16-channel, analog expansion module lets you select and expand your Symphony’s I/O scheme to suit present and future needs.

Apogee Symphony I/O modules are studio owner’s answer to the age old question, “Why can’t they make this unit with the I/O that I need?” We’ve all been there; you’ve found the perfect unit for your studio – it’s got the sound, the mojo, the company legacy—everything it takes to bring a new level of functionality and sonic excellence to your studio. You’re ready to pull the trigger . . . then you see the back panel. The I/O is wrong for your setup. Disappointed!

With Apogee’s Symphony base units and configurable I/O Modules, now you can be part of the design team, instead of hoping that they got it right for you. The Apogee Symphony chassis has two I/O slots, enabling you to select your base configuration from one of five I/O modules, plus the ability to expand I/O to suit your current and future I/O needs. Apogee Symphony I/O offers six I/O Modules and an 8-channel mic preamp module to choose from. You can select base configurations with everything you need upfront, or expand later to suit the ever-changing course of you studio’s capabilities.


Apogee 16x16 Analog I/O Module:

16 simultaneous channels of I/O

Inputs

Analog: 16 balanced inputs on two DSUB 25-pin connectors
Coax: Supports S/PDIF on RCA connector

Outputs

Analog: 16 balanced inputs on two DSUB 25-pin connectors
Coax: Supports S/PDIF on RCA connector.



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Studio quality guitar interface for recording, rehearsing
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Apogee Symphony I/O Module - 2x6 Analog I/O + 8x8 Optical + AES I/O (Apogee Symphony - 2x6 Analog I/O + 8x8 Optical + AES I/O)

Apogee 2x6 Analog I/O + 8x8 Optical + AES I/O

Apogee’s 8-channel, analog expansion module lets you select and expand your Symphony’s I/O scheme to suit present and future needs

Apogee Symphony I/O modules are studio owner’s answer to the age old question, “Why can’t they make this unit with the I/O that I need?” We’ve all been there; you’ve found the perfect unit for your studio – it’s got the sound, the mojo, the company legacy—everything it takes to bring a new level of functionality and sonic excellence to your studio. You’re ready to pull the trigger . . . then you see the back panel. The I/O is wrong for your setup. Disappointed!

With Apogee’s Symphony base units and configurable I/O Modules, now you can be part of the design team, instead of hoping that they got it right for you. The Apogee Symphony chassis has two I/O slots, enabling you to select your base configuration from one of five I/O modules, plus the ability to expand I/O to suit your current and future I/O needs. Apogee Symphony I/O offers six I/O Modules and an 8-channel mic preamp module to choose from. You can select base configurations with everything you need upfront, or expand later to suit the ever-changing course of you studio’s capabilities.


Apogee 2x6 Analog I/O + 8x8 Optical + AES I/O Module:

8 simultaneous channels of I/O

Inputs

  • Analog IN: 2 balanced inputs on 2 female XLR connectors
  • AES IN: Stereo input on 1 female XLR connector
  • Optical IN: Supports ADAT, SMUX & S/PDIF
    • ADAT: 8 channels 44.1-48 kHz on 1 Toslink connector
    • SMUX: 4 channels 88.2-96 kHz on 1 Toslink connector
    • S/PDIF: 2 channels, up to 96 kHz on 1 Toslink connector
  • S/PDIF Coax IN: 2 channels, up to 192 kHz on 1 RCA connector

Outputs

  • Analog OUT: 6 balanced outputs on 1 DSUB 25-pin connector
  • AES OUT: Stereo output on 1 male XLR connector
  • Optical OUT: Supports ADAT, SMUX & S/PDIF
    • ADAT: 8 channels 44.1-48 kHz on 1 Toslink connector
    • SMUX: 4 channels 88.2-96 kHz on 1 Toslink connector
    • S/PDIF: 2 channels, up to 96 kHz on 1 Toslink connector
  • S/PDIF Coax OUT: 2 channels, up to 192 kHz on 1 RCA connector
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8-channel, analog expansion module
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