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1-channel Tube Compressor, with Side-chain Highpass Filter and Stereo Link Capability
Neumann
Active, bi-amplified two-way nearfield monitor, 5.25" + 1" driver with aluminum cabinet
Active, tri-amplified three-way midfield studio monitor, 1" / 3" / 8.25" drivers with aluminum cabinet
Large-diaphragm studio microphone with a cardioid directional characteristic
Neumann M 150 Tube Condenser Microphone (Neumann M 150 Tube Condenser Microphone)
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Tube Condenser Microphone
Neumann U 47 fet Collector's Edition Condenser Microphone (Neumann U 47 fet Collector's Edition Condenser Microphone)
The original Neumann U 47 fet was first manufactured from 1972 to 1986, and since then the legendary mic has become a collector's item, used by nearly all well-known studios. The U 47 fet Collectors Edition is a new edition of this classic. Neumann has resumed production of this classic mic, according to the original production documents and schematics. It is supplied with a high-quality wooden case with sophisticated special packaging, and an individual certificate with the serial number of the microphone.
In terms of technical design, the U 47 fet is a condenser microphone with a cardioid directional characteristic and fet 80 circuit technology. Among other things this technology, also used in the U 87, is characterized particularly by a wide dynamic range. The K 47 double large-diaphragm capsule was already employed in the U 47, the legendary tube-based predecessor of the U 47 fet. The K 47 provides a slight boost in the range above 2 kHz.
If required, a switchable low-cut filter raises the lower cutoff frequency electronically from 40 Hz to 140 Hz, thus suppressing undesirable low frequencies (such as impact sound and wind noise), or serving to compensate for the proximity effect. Switchable attenuation can reduce transmission levels by 10 dB, facilitating the processing of very high sound pressure levels of up to 147 dB. In addition, to prevent overloading of the connected preamp, the output signal can be reduced by 6 dB via a switch on the bottom of the microphone.
In order to ensure stable positioning, the microphone is swivel-mounted on an integrated bracket. The bracket stand connector has 5/8"-27 internal thread, with an adapter for 1/2" and 3/8" threads. The microphone cable can be secured at the side of the stand connector, by using the knurled nut to fasten it in the slot (for cable diameters of up to 5 mm). The U 47 fet Collectors Edition is available in classic nickel and comes with a wooden box, Collectors Edition carton box, and Collectors Edition Certificate of Authenticity.
An icon of that era which was decisive in helping to shape the sound of the 1970s is the Neumann U 47 fet. As the transistorized successor of the U 47, it permitted the processing of very high sound pressure levels for the first time, for instance allowing positioning directly in front of loud amps. Due to this feature, and the capsule sound derived from its famous tube-based predecessor, the U 47 fet contributed to many legendary recordings of th
Neumann U 47 fet Collector's Edition Condenser Microphone
The legendary Neumann U 47 fet is back, built according to original porduction documents and schematics!The original Neumann U 47 fet was first manufactured from 1972 to 1986, and since then the legendary mic has become a collector's item, used by nearly all well-known studios. The U 47 fet Collectors Edition is a new edition of this classic. Neumann has resumed production of this classic mic, according to the original production documents and schematics. It is supplied with a high-quality wooden case with sophisticated special packaging, and an individual certificate with the serial number of the microphone.
In terms of technical design, the U 47 fet is a condenser microphone with a cardioid directional characteristic and fet 80 circuit technology. Among other things this technology, also used in the U 87, is characterized particularly by a wide dynamic range. The K 47 double large-diaphragm capsule was already employed in the U 47, the legendary tube-based predecessor of the U 47 fet. The K 47 provides a slight boost in the range above 2 kHz.
If required, a switchable low-cut filter raises the lower cutoff frequency electronically from 40 Hz to 140 Hz, thus suppressing undesirable low frequencies (such as impact sound and wind noise), or serving to compensate for the proximity effect. Switchable attenuation can reduce transmission levels by 10 dB, facilitating the processing of very high sound pressure levels of up to 147 dB. In addition, to prevent overloading of the connected preamp, the output signal can be reduced by 6 dB via a switch on the bottom of the microphone.
In order to ensure stable positioning, the microphone is swivel-mounted on an integrated bracket. The bracket stand connector has 5/8"-27 internal thread, with an adapter for 1/2" and 3/8" threads. The microphone cable can be secured at the side of the stand connector, by using the knurled nut to fasten it in the slot (for cable diameters of up to 5 mm). The U 47 fet Collectors Edition is available in classic nickel and comes with a wooden box, Collectors Edition carton box, and Collectors Edition Certificate of Authenticity.
The original Neumann U 47 fet
The 1960s and 1970s are considered to be one of the most innovative periods in the history of music. Many sound concepts of this pioneering time are currently being rediscovered and are regarded as a great enrichment – particularly in the digital audio world. The interplay among studio technologies of different generations forms the basis of unprecedented freedom for new sound experiments.An icon of that era which was decisive in helping to shape the sound of the 1970s is the Neumann U 47 fet. As the transistorized successor of the U 47, it permitted the processing of very high sound pressure levels for the first time, for instance allowing positioning directly in front of loud amps. Due to this feature, and the capsule sound derived from its famous tube-based predecessor, the U 47 fet contributed to many legendary recordings of th
The legendary Neumann U 47 fet
Neumann KH 120 A - Active Studio Monitor (Neumann KH 120 A - Active Studio Monitor)
Neumann KH 120 A - Active Studio Monitor
Active, bi-amplified two-way nearfield monitor, 5.25" + 1" driver with aluminum cabinetThe KH 120 A studio monitor is designed for use as a near-field loudspeaker or as a rear loudspeaker in larger multi-channel systems. The KH 120 A represents the latest in acoustic and electronic simulation and measurement technologies to ensure the most accurate sound reproduction possible. It has a Mathematically Modeled Dispersion waveguide (MMD (TM), flexible acoustical controls, analog class-AB amplifiers, a large headroom analog input and an extensive mounting hardware range. All of this provides the user with the maximum versatility over a wide variety of acoustic conditions, source equipment, and physical locations.
The KH 120 is perfect for tracking, mixing and mastering in music, broadcast, project and post-production studios.
KH 120 A Features:
- Powerful titanium fabric dome
- Elliptical Mathematically Modelled Dispersion™
- Composite sandwich cone
- Long throw bass driver
- Two-color + dimmable Neumann logo
- Robust metal grille
- Large front panel ports
- Compact aluminum cabinet (magnetically shielded)
- Wide horizontal dispersion
- Narrow vertical dispersion
- One-piece front panel with no discontinuities
- Powerful analog amplifiers with large headroom
- Production consistency
- 4-position bass, low-mid and treble acoustical controls
- Wide range input gain and output level controls
- New mounting hardware options
- Display dimmer
- Ground lift
- Universal switched-mode power supply (100 … 240 V)
- Separate woofer and tweeter electronic peak limiters and thermal-protection circuitry
Active, bi-amplified two-way nearfield monitor, 5.25" + 1" driver with aluminum cabinet
Neumann KH 80 DSP A - Active DSP Studio Monitor (Neumann KH 80 DSP A - Active DSP Studio Monitor)
The Neumann KH 80 DSP two-way active bi-amplified monitor is designed for use as a near-field monitor, as a front loudspeaker in small multi-channel systems, or as a rear loudspeaker in a compact multi-channel systems. Due it small footprint, it is well suited to desktop applications. It can be used in project, music, broadcast centers, OB vans, and post production studios for tracking, mixing, and mastering.
The KH 80 DSP two-way active studio monitor features a Mathematically Modeled Dispersion™ Waveguide (MMD™), flexible acoustical controls, various input options, high efficiency amplifiers, and an extensive range of mounting hardware. A standard IP network connection allows the monitoring system to be controlled using Neumann. Control which runs on a PC/Mac computer or Android/iOS tablet. This allows the loudspeaker to be used in diverse acoustical conditions, with any source equipment and in a wide variety of physical locations. The KH 80 DSP represents the latest in acoustic and electronic simulation and measurement technologies to ensure the most accurate sound reproduction possible.
Neumann KH 80 DSP A
A small footprint, yet powerful two-way nearfield monitor featuring MMD Waveguide and powerful DSP controls for fine-tuning.The Neumann KH 80 DSP two-way active bi-amplified monitor is designed for use as a near-field monitor, as a front loudspeaker in small multi-channel systems, or as a rear loudspeaker in a compact multi-channel systems. Due it small footprint, it is well suited to desktop applications. It can be used in project, music, broadcast centers, OB vans, and post production studios for tracking, mixing, and mastering.
The KH 80 DSP two-way active studio monitor features a Mathematically Modeled Dispersion™ Waveguide (MMD™), flexible acoustical controls, various input options, high efficiency amplifiers, and an extensive range of mounting hardware. A standard IP network connection allows the monitoring system to be controlled using Neumann. Control which runs on a PC/Mac computer or Android/iOS tablet. This allows the loudspeaker to be used in diverse acoustical conditions, with any source equipment and in a wide variety of physical locations. The KH 80 DSP represents the latest in acoustic and electronic simulation and measurement technologies to ensure the most accurate sound reproduction possible.
Neumann KH 80 DSP A Features:
- Powerful titanium fabric dome
- Elliptical Mathematically Modelled Dispersion™
- Composite sandwich cone
- Long throw bass driver
- Two-color + dimmable Neumann logo
- Robust metal grille
- Large front panel ports
- Compact aluminum cabinet (magnetically shielded)
- Wide horizontal dispersion
- Narrow vertical dispersion
- One-piece front panel with no discontinuities
- Powerful analog amplifiers with large headroom
- Production consistency
- 4-position bass, low-mid and treble acoustical controls
- Wide range input gain and output level controls
- New mounting hardware options
- Display dimmer
- Ground lift
- Universal switched-mode power supply (100 … 240 V)
- Separate woofer and tweeter electronic peak limiters and thermal-protection circuitry
Two-way nearfield monitor featuring MMD Waveguide and powerful DSP
Neumann KH 310 A - Active Studio Monitor (Neumann KH 310 A - Active Studio Monitor)
The KH 310 three-way active tri-amplified monitor features a Mathematically Modeled Dispersion™ Waveguide (MMD™), flexible acoustical controls, various input options and an extensive range of mounting hardware. This allows the loudspeaker to be used in diverse acoustical conditions, with any source equipment and in a wide variety of physical locations. The KH 310 represents the latest in acoustic and electronic simulation and measurement technologies to ensure the most accurate sound reproduction possible.
The KH 310 is designed for use as a near-field monitor, as a front loudspeaker in mid-sized multi-channel systems, or as a rear loudspeaker in a larger multi-channel system. It can be used in project, music, broadcast centers, OB vans, and post production studios for tracking, mixing, and mastering.
Neumann KH 310 A - Active Studio Monitor
Active, tri-amplified three-way midfield studio monitor, 1" / 3" / 8.25" drivers with aluminum cabinetThe KH 310 three-way active tri-amplified monitor features a Mathematically Modeled Dispersion™ Waveguide (MMD™), flexible acoustical controls, various input options and an extensive range of mounting hardware. This allows the loudspeaker to be used in diverse acoustical conditions, with any source equipment and in a wide variety of physical locations. The KH 310 represents the latest in acoustic and electronic simulation and measurement technologies to ensure the most accurate sound reproduction possible.
The KH 310 is designed for use as a near-field monitor, as a front loudspeaker in mid-sized multi-channel systems, or as a rear loudspeaker in a larger multi-channel system. It can be used in project, music, broadcast centers, OB vans, and post production studios for tracking, mixing, and mastering.
KH 310 A Features:
- Powerful alloy fabric dome
- Elliptical Mathematically Modeled Dispersion™ (MMD™) waveguide, with wide horizontal and narrow vertical dispersion
- New in-house simulated drivers
- Fabric dome, neodymium magnet, midrange driver
- Long throw composite sandwich cone bass driver with Extremely Linear Force Factor™ (ELFF™) and ribbed surround
- Two-color + dimmable Neumann logo
- Compact sealed three-way cabinet design (magnetically shielded)
- One-piece front panel with no discontinuities
- Powerful analog class AB amplifiers with large headroom
- Independent thermo limiters for woofer, midrange dome and tweeter to protect the voice coils. Woofer soft clip and excursion limiters
- Production consistency due to individual hand-alignment in final test
- 4-position bass, low-mid and treble acoustical controls
- Wide range input gain and output level controls
- Ground lift
- Universal switched-mode power supply (100 … 240 V)
- Extensive mounting hardware options
- Optional robust metal grille
- Optional transportation accessories
Active, tri-amplified three-way midfield studio monitor, 1" / 3" / 8.25" drivers with aluminum cabinet
Neumann U67 Large-Diaphragm Condenser Microphone (Neumann U67 Large-Diaphragm Condenser Microphone)
The Neumann U67 Tube Condenser Microphone has returned! Neumann is once again building the legendary U67, built to the exact specifications of the vintage U67 made from 1960–1971. It uses the same capsule and electronic design. Key parts, such as the BV 12 output transformer, are meticulously reproduced according to original documentation. EF86 tubes are carefully selected for optimal characteristics and lowest noise in a dedicated measurement facility. The power supply was redesigned to meet today’s strict safety requirements and to accommodate the slightly higher filament current of newer premium grade tubes. The new power supply NU 67 V is fully compatible with older U67 microphones.
The U 67 was the first microphone equipped with the famous K 67 capsule, which has since become associated with “the Neumann sound” and continues to be used in its successor, the U 87 A. No less important is the U 67’s masterful tube circuit featuring a clever pre-emphasis/de-emphasis scheme to minimize tube hiss. The U 67 was also the first microphone to address modern recording techniques such as close miking. Its switchable low cut filter compensates for the proximity effect occurring at short recording distances. Using its preattenuation, the U 67 can handle high sound pressure levels of up to 124 dB without distortion (and much more if you don’t mind a bit of “tube grit”).
As timeless as its sound and technical design is its outer appearance. The U 67’s cone-shaped body and the tapered headgrille have since become iconic for the Neumann brand; the same elegant design would grace its solid state successor, the U 87, for the next 50+ years.
The Neumann U67 features three selectable polar patterns and advanced tube circuitry, including low cut and pad switches. The original Neumann U67 was well-equipped for virtually any recording task. It still is: To this day, many top level engineers would choose the U 67 as their “desert island” microphone for its extraordinary versatility and unmatched sound quality
Neumann U67 Large-Diaphragm Condenser Microphone
The legendary microphone from the 60's has returned! This reissued U67 is way more than just a reissue, it's built to the exact specifications of the Vintage U67, including the capsule and electronic design.The Neumann U67 Tube Condenser Microphone has returned! Neumann is once again building the legendary U67, built to the exact specifications of the vintage U67 made from 1960–1971. It uses the same capsule and electronic design. Key parts, such as the BV 12 output transformer, are meticulously reproduced according to original documentation. EF86 tubes are carefully selected for optimal characteristics and lowest noise in a dedicated measurement facility. The power supply was redesigned to meet today’s strict safety requirements and to accommodate the slightly higher filament current of newer premium grade tubes. The new power supply NU 67 V is fully compatible with older U67 microphones.
The U 67 was the first microphone equipped with the famous K 67 capsule, which has since become associated with “the Neumann sound” and continues to be used in its successor, the U 87 A. No less important is the U 67’s masterful tube circuit featuring a clever pre-emphasis/de-emphasis scheme to minimize tube hiss. The U 67 was also the first microphone to address modern recording techniques such as close miking. Its switchable low cut filter compensates for the proximity effect occurring at short recording distances. Using its preattenuation, the U 67 can handle high sound pressure levels of up to 124 dB without distortion (and much more if you don’t mind a bit of “tube grit”).
As timeless as its sound and technical design is its outer appearance. The U 67’s cone-shaped body and the tapered headgrille have since become iconic for the Neumann brand; the same elegant design would grace its solid state successor, the U 87, for the next 50+ years.
The Neumann U67 features three selectable polar patterns and advanced tube circuitry, including low cut and pad switches. The original Neumann U67 was well-equipped for virtually any recording task. It still is: To this day, many top level engineers would choose the U 67 as their “desert island” microphone for its extraordinary versatility and unmatched sound quality
Neumann U67 Features
- Reissue of the legendary Neumann U 67
- Superb vocal microphone for male and female singers
- Versatile microphone for all kinds of instruments
- Made to original specifications using archived documentation
- New power supply NU 67 V automatically adapts to the local mains voltage
- Handmade and hand soldered in Germany
Neumann U67 Applications
The U 67 is a universal studio microphone suitable for all applications. Its smooth top-end with a subtle tube shimmer makes the U 67 an outstanding vocal microphone. Due to its essentially linear response in three polar patterns – omni, cardioid, and figure-8 – the U 67 is also a very versatile microphone for all kinds of instruments such as strings, woodwinds, brass, piano, drums, acoustic and electric guitar, bass guitar and upright bass.U67 Includes
- U67 Microphone
- Z 48 elastic suspension
- NU 67 V power supply
- UC 5 microphone cable
- Vintage-style Neumann case
Legendary microphone
Neumann U 87 Ai Condenser Microphone (Neumann U 87 Ai Condenser Microphone)
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Large-diaphragm Condenser Microphone with 3 Switchable Polar Patterns
Neumann TLM 103 Condenser Microphone (Neumann TLM 103 Condenser Microphone)
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Large diaphragm capsule derived from the classic U 87 microphone
Neumann TLM 102 Condenser Microphone (Neumann TLM 103 Condenser Microphone)
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Large-diaphragm microphone with cardioid directional characteristic
Neumann M 147 Tube Condenser Microphone (Neumann M 147 Tube Condenser Microphone)
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Large-diaphragm microphone with cardioid directional characteristic
Neumann M 149 Tube Condenser Microphone (Neumann M 149 Tube Condenser Microphone)
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Variable dual-diaphragm microphone
Neumann TLM 170 R Condenser Microphone (Neumann TLM 170 R Condenser Microphone)
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Tube Condenser Microphone
Neumann TLM 193 Condenser Microphone (Neumann TLM 193 Condenser Microphone)
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Large diaphragm microphone with a cardioid polar pattern
Neumann TLM 49 Condenser Microphone (Neumann TLM 49 Condenser Microphone)
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Large-diaphragm studio microphone with a cardioid directional characteristic
Neumann TLM 67 Condenser Microphone (Neumann TLM 67 Condenser Microphone)
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Omnidirectional, cardioid and figure-8
Neumann U 87 Ai Set Z Condenser Microphone (Neumann U 87 Ai Set Z Condenser Microphone)
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Large-diaphragm Condenser Microphone with Elastic Shockmount
Neumann U 89 i Condenser Microphone (Neumann U 89 i Condenser Microphone)
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Studio microphone for universal applications
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