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Audix i5 All-Purpose Dynamic Instrument Microphone
- Cardioid polar pattern for isolation and feedback control.
- VLM (Very Low Mass) diaphragm for natural, accurate sound reproduction.
- Wide frequency response of 50Hz – 16kHz for clear sound reproduction without EQ reliance.
- Handles SPLs in excess of 140 dB without distortion.
- Versatile for a wide variety of instruments, guitars, bass cabinets, vocals, and speech.
- Sturdy, compact, and easy to position.
- Designed, assembled, and tested by Audix in the USA.
₹9159₹9641 -
Audix D2 TRIO 3-Piece Drum Microphone Package
- 3-piece drum microphone package designed specifically for toms and percussion.
- Tailored frequency response for punch, clarity, and warmth without muddiness.
- VLMTM (Very Low Mass) capsule technology for superior transient response and precise sound capture.
- DVICE mounts for easy positioning and eliminating the need for bulky stands.
- Hypercardioid polar pattern for isolating each instrument’s “sweet spot” and reducing off-axis noise.
₹36947₹38892Audix D2 TRIO 3-Piece Drum Microphone Package
₹36947₹38892 -
Audix OM5 Hyper-Cardioid Dynamic Microphone
- Professional-grade dynamic microphone
- Exceptional clarity and feedback resistance
- Hyper-cardioid polar pattern for vocal isolation
- Wide frequency range (48 Hz – 19 kHz) with VLM diaphragm
- Tailored mid-range for enhanced vocal presence
₹15011₹15801Audix OM5 Hyper-Cardioid Dynamic Microphone
₹15011₹15801 -
Audix OM2 Dynamic Vocal Microphone
- Dynamic vocal microphone with outstanding clarity and power
- Cardioid polar pattern for excellent off-axis rejection
- Wide frequency response (50Hz – 16kHz) for balanced sound
- High SPL handling for distortion-free performance
- Rugged and durable construction for reliable use on stage
₹8395₹8837Audix OM2 Dynamic Vocal Microphone
₹8395₹8837 -
PMC 8-2 XBD Active Studio Monitor Pair
- Combines the PMC6-2 midfield studio monitor with two PMC 8-2 Sub
- To create a powerful, full-range monitoring system with superior clarity and resolution.
- 3-way active, twin cabinet, mid-field reference monitor with ATL bass loading
- Frequency response: 25Hz – 25kHz (- 3dB @1m full space, on-axis)
- Optional dedicated 19” floor stands
- Sophisticated DSP crossover, driver protection, EQ, and delay/polarity options
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PMC 6-2 XBD Active Studio Monitor Pair
- Combines the PMC 6-2 midfield studio monitor with two PMC 8-2 Sub
- To create a powerful, full-range monitoring system with superior clarity and resolution.
- 3-way active, twin cabinet, mid-field reference monitor with ATL bass loading
- Frequency response: 25Hz – 25kHz (- 3dB @1m full space, on-axis)
- Optional dedicated 19” floor stands
- Sophisticated DSP crossover, driver protection, EQ, and delay/polarity options
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PMC 6-XBD Active Studio Monitors Pair
- Combines the PMC6 monitors and PMC8 SUB
- midfield monitor performance in a compact system
- 3-way active, twin cabinet, mid-field reference monitor with ATL bass loading
- Frequency response: 25Hz – 25kHz (- 3dB @1m full space, on-axis)
- Analogue/AES3 digital input (16/24-bit, 18 -192kHz sample rate
- Active subwoofer with an 8-inch bass driver
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PMC 8-2 Active Studio Monitors (Pair)
- Active 3-way nearfield reference monitor with ATL bass loading
- Powered Studio Monitor with 2 x 400W 200mm Woofers,
- 400W 55mm Midrange, and 400W 27mm Tweeter (pair)
- Effective ATL length: 3 meters
- ICEPower Class D amplification: 4 x 400W
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PMC 6-2 Active Studio Monitors (Pair)
- Active 3-way nearfield reference monitor with ATL bass loading.
- Frequency response: 33Hz – 25kHz (-3dB @1m full space, on-axis).
- Supports un-weighted input, 20-20kHz Pink Noise (IEC) with 12dB CF for 2 hours (AES2-1984 duration).
- Offers both analog and AES3 digital input (16/24-bit, 18-192kHz sample rate).
- Equipped with the SoundAlign network control interface for single or group EQ and settings.
- Features a sophisticated DSP crossover, driver protection, EQ, and delay/polarity options.
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PMC 6 Active Studio Monitors Pair
- ICEPower Class D amplification: 200W (LF), 200W (HF) for powerful and efficient performance.
- Newly designed PMC 150mm woofer for improved bass response.
- PMC 27mm soft-dome tweeter for detailed high frequencies.
- Wide frequency response of 45Hz–25kHz (+/- 3dB) for accurate sound reproduction.
- Utilizes an Advanced Transmission Line (ATL) with an effective length of 1.8 meters for exceptional bass extension and tonal balance.
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WesAudio ngBusComp Analog Bus Compressor with Digital Recall
- 100% analog device with +24dBu of headroom.
- Full digital control, automation, and recall via companion plug-in.
- Relative stereo channel linking with separate L/R settings.
- Mid-side operation for independent side and mid settings.
- Selectable output stages: normal (electronically balanced) and IRON (transformer balanced).
₹326900 -
Tube-Tech SMC 2BM Stereo Mastering Multiband Opto Compressor
- All-tube opto-compressor-based multiband compression.
- 3 bands per channel, adjustable crossover frequencies.
- Detented controls for Threshold, Ratio, Attack, Release, and Gain in all 3 bands.
- Stereo sidechain for precise dynamic control.
- Master output gain from off to +10dB.
₹547357₹570357Tube-Tech SMC 2BM Stereo Mastering Multiband Opto Compressor
₹547357₹570357 -
WesAudio Prometheus 500 Series Stereo Analog Equalizer with Digital Recall
- Requires compatible 500 Series chassis/power supply (not standalone).
- ng500 compatible with full support for WesAudio’s _TITAN Recall Chassis.
- Passive stereo/dual-mono/mid–side 2-band analog EQ.
- 6 touch-sensitive encoders allow for automation of each parameter.
- Innovative analog circuit control eliminates glitches and artifacts due to pot movement.
- Knob movement is noiseless, allowing for full automation without side effects.
₹152500 -
WesAudio Hyperion NG500 500 Series Stereo Analog Equalizer with Digital Recall
- Not standalone — requires compatible 500 Series chassis/power supply
- ng500 compatible with full support for WesAudio’s _TITAN Recall Chassis
- Fully analog stereo/dual-mono/mid–side 4-band analog EQ with highpass filter and digital recall
- Innovative analog circuit control eliminates glitches and artifacts due to pot movement
- Because knob movement causes no noise, full automation is feasible without side effects
₹151500 -
WesAudio MIMAS NG500 500 Series Analog Compressor with Digital Recall
- Full session recall and support for DAW automation when loaded in an NG500-compatible chassis like _TITAN or via USB connection
- 4 touch-sensitive encoders allow you to draw automation into your DAW
- True bypass completely removes the circuit from your signal path
- Switchable side chain filters for fine-tuning how the compressor reacts to bass frequencies
- Compatible with any WesAudio NG500 chassis and many standard 500 series racks
₹157200 -
WesAudio DIONE NG500 500 Series Analog Bus Compressor with Digital Recall
- Full session recall and support for DAW automation when loaded in an NG500-compatible chassis like TITAN, or via USB connection
- 3 touch-sensitive encoders (Threshold, Mix, Make Up) allow you to draw automation into your DAW
- True bypass completely removes the circuit from your signal path.
- Switchable side chain filters for fine-tuning how the compressor reacts to bass frequencies
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Burl Audio B1D 500 Series Microphone Preamp with BX4 Iron Output Transformer
- BURL custom BX3 input transformer
- BURL custom BX4 iron output transformer
- Audiophile, discrete, Class A, direct-coupled, capacitor free circuit path
- Stepped gain control
- Independent output level control
- 70 dB gain
- Impedance select
- 1/4” front panel DI input
- 30 dB pad for hot signals and balanced line level input
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Audix ADX10-FLP Flute Condenser Microphone
- Miniaturized condenser microphone for flute and snare.
- Designed, machined, assembled, and tested in the USA by Audix.
- Includes a clip for easy attachment to the flute’s head joint.
- High-quality shielded microphone cable included.
- Transducer Type: Pre-polarized Condenser.
₹27400₹31500Audix ADX10-FLP Flute Condenser Microphone
₹27400₹31500 -
Audix Fusion FP7: 7-Piece Fusion Drum Microphone Package
- 7-piece instrument-specific Drum Microphone Kit with Clips for optimal results
- One f5 for snare, three f2 mics for toms, two f9 condensers for overhead use, and one f6 for kick
- Pair up nicely for stereo use on a wide range of acoustic instruments, guitar specifically and Cost-effective
- All-in-one solution for drum miking
- Aluminum Road Case
₹70006₹73690 -
Audix Fusion FP5: 5-Piece Dynamic Drum Microphone Package
- Number of Microphones:5
- Included Models:1 x F5, 1 x F6, 3 x F2
- 1x F-6 Bass drum microphone
- 3x Audix F-2 tom microphone
- 1x Audix F-5 snare microphone
- Incl. 4x D-Clip, 4xD-Flex, 1x MC1 microphone holder and case
- Cost-effective and Rugged Audix quality
₹28402₹29897