RME Audio Interface Remote Control (UFX+ and UFX II)
Thirty-six functions, fifteen keys
DIM Volume, Mono, Talkback, Speaker B, and Snapshots
Push, Switch, Activate, Deactivate
Desktop Design Control, Solid Metal Case Driven by Buss Commands & Actions for TotalMix FX
₹ 16500
The EQ section functions autonomously from the preamp, allowing separate operation.
A center-chassis mounted tube design effectively isolates heat, preventing interference with other 500 modules in the power rack.
Swappable tubes offer the ability to achieve diverse sonic variations.
This amplifier features genuine vacuum tube technology and offers fully adjustable input/output controls.
Equipped with an 80% nickel output transformer and boasting a clean, attractive layout.
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DC-coupled outputs for CV/Gate voltage control.
Standalone operation and recording with DURec.
SteadyClock FS for superior jitter rejection.
Software control via TotalMix FX, TotalMix Remote, and DIGICheck.
Optional RME ARC USB for advanced remote control.
₹ 135000₹ 157468
12 in/12 out USB audio interface with 24 channels.
2 instrument preamps and 2 microphone preamps.
Full SteadyClock FS circuit for minimal jitter and high jitter immunity.
Reduced AD side latency by 6 samples with improved ADC.
Durable aluminum chassis, perfect for portable use.
₹ 75900₹ 81460
18-channel Hybrid USB 2.0/FireWire 400 Audio Interface with Onboard DSP
Integrated DSP monitor-controller
TotalMix FX DSP provides latency-free processing, effects, and monitor mixing
FireWire 400 and USB 2.0 connectivity
Can connect to your iPad 2 via the Camera Connection Kit
₹ 137500
30-in/30-out hybrid USB/FireWire audio interface
12 x 12 analog I/O for versatile connectivity
ADAT/SMUX and AES/EBU digital I/O for expanded options
DSP-driven onboard mixing with effects for latency-free processing
TotalMix FX mixer enables complex routing and effects
Control mixes and routing from computer or iPad
Pristine analog signal path paired with high-quality digital conversion
₹ 178000₹ 213562
All-passive circuitry for natural tone sculpting.
Unique Shelf curves using the “bandwidth” control.
Overlapping and interleaved frequency choices for precise shaping.
Each band switchable between shelf and bell modes.
Vacuum tube makeup gain and line drivers for warmth and clarity.
₹ 674842₹ 710360
SLAM means stereo limiter and microphone preamplifier
FET Limiters, Stereo Link, and VU Metering
No mic preamps or instrument inputs. Instead the tube sections are paralleled for lower noise and distortion
All pots are replaced with rotary switches for detented resettability and easier calibration
The mastering version has a true hard-wire bypass function, which is not possible on the regular version with mic preamps, etc. What was the Left Bypass, becomes the full Bypass (in stereo and hardwired). No separate L & R bypass buttons
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Rotary switches with detented steps for precise channel matching and settings recall.
Switch steps constructed using 1% metal film resistors on sealed gold-contact Grayhill switches.
Manley input and output transformers featuring pure nickel laminations in mu-metal cases.
Flat frequency response spanning from 20Hz to 25kHz.
Balanced inputs and outputs for minimized noise and interference.
₹ 587404₹ 618320
First tube preamplifi er in 500 series format
Burr-Brown and THAT balanced line drivers
CineMag CMOQ nickel alloy output transformer
Fully variable potentiometers for input and output gain stages
48V phantom power, 20dB input pad, and polarity reverse
Front-panel, auto-switching transformerless hi-Z input for instruments
Enclosed chassis , for superior cooling flow and interference characteristics
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