Superb sound quality and character
Switchable output transformers
Stepped attenuator for gain control
Phase reversible and padable DI and e ngraved front panels
75 ma current draw per module
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First tube preamplifi er in 500 series format
Burr-Brown and THAT balanced line drivers
CineMag CMOQ nickel alloy output transformer
Fully variable potentiometers for input and output gain stages
48V phantom power, 20dB input pad, and polarity reverse
Front-panel, auto-switching transformerless hi-Z input for instruments
Enclosed chassis , for superior cooling flow and interference characteristics
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Discrete construction in Class-A technology
Combines the gain section of the Shadow Hills Mastering compressor with the detector circuitry of the Shadow Hills Optograph compressor
Controls for compression, ratio, filter and output level
4 Selectable compression rates
4 Switchable side-chain filters
Uses handmade iron core transformers
Double module width (requires 2 slots)
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The EQ section functions autonomously from the preamp, allowing separate operation.
A center-chassis mounted tube design effectively isolates heat, preventing interference with other 500 modules in the power rack.
Swappable tubes offer the ability to achieve diverse sonic variations.
This amplifier features genuine vacuum tube technology and offers fully adjustable input/output controls.
Equipped with an 80% nickel output transformer and boasting a clean, attractive layout.
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Choose from optical compression, VCA compression, or both in series, for unprecedented dynamic control with a mastering-grade signal path
Optical section provides smooth, program dependent leveling, just like a classic audio leveler from the late-’60s
Discrete section gives you the fast, precise sound of a classic VCA compressor
Sidechain frequency filter prevents frequencies below 90Hz from triggering compression for tighter-sounding mixes
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13 microphone emulations of classic microphone models
Back-electret design provides transparent, balanced sound and accurate transient responses
Cardioid polar pattern suitable for a wide variety of recording scenarios
The frequency response of 20 Hz to 20 kHz covers the audible spectrum
Signal-to-noise ratio of 69 dB
₹ 14999
Antelope Zen Go is a bus-powered USB-C desktop interface packed with tech featured only in high-end professional studios, giving premium sound quality.
64-bit AFCTM clocking technology gives increased separation and sound width
Class-leading AD/DA conversion for the most accurate music.
Switchable mic, line, and Hi-Z modes with two discrete ultra-linear preamps with 65 dB gain
Digitally expandable over S/PDIF
₹ 49900₹ 72000
18 Iconic Microphones in one body
Cardioid Polar Pattern
1.3″ Gold-Sputtered Capsule
Models Vintage Cardioid Microphones
20 Hz to 20 kHz Frequency Response
Included FPGA Native Emulations and hard Mount
Included Case
₹ 49999
Thunderbolt 3 Connectivity
Ins: 2 Mic / Line / Hi-Z, 2 Line / Hi-Z
Outs: 2 Headphone, 2 Monitor, 2 Line
Up to 24-Bit / 192 kHz Resolution
Bus Powered / Mac and Windows
ADAT In and S/PDIF I/O for More Channels
Color LCD, Onboard DSP, and FPGA Chips
₹ 69999₹ 89999
Designed for Galaxy 32 Synergy Core
Multichannel monitoring System
Tactile and straightforward monitoring workflow
Seamless support for over 23 formats, from stereo to 9.1.6 Dolby Atmos
Flexible 5-preset recall system at your fingertips
₹ 71999₹ 79999
Rackmount audio interface with 12 discrete mic preamps that supports Thunderbolt 3 and USB
Processing platform Synergy Core with two FPGA and six DSP chips
Two monitor output pairs with a dynamic range of 130 dB operate simultaneously or in A/B mode.
30 concurrent inputs and 22 concurrent outputs
DC-coupled I/O for analogue modular synths’ CV control
crafted by hand in Europe to serve as the focal point of your professional studio for many years.
₹ 320999