Combines the PMC6-2 midfield studio monitor with two PMC 8-2 Sub
To create a powerful, full-range monitoring system with superior clarity and resolution.
3-way active, twin cabinet, mid-field reference monitor with ATL bass loading
Frequency response: 25Hz – 25kHz (- 3dB @1m full space, on-axis)
Optional dedicated 19” floor stands
Sophisticated DSP crossover, driver protection, EQ, and delay/polarity options
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Combines the PMC 6-2 midfield studio monitor with two PMC 8-2 Sub
To create a powerful, full-range monitoring system with superior clarity and resolution.
3-way active, twin cabinet, mid-field reference monitor with ATL bass loading
Frequency response: 25Hz – 25kHz (- 3dB @1m full space, on-axis)
Optional dedicated 19” floor stands
Sophisticated DSP crossover, driver protection, EQ, and delay/polarity options
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Combines the PMC6 monitors and PMC8 SUB
midfield monitor performance in a compact system
3-way active, twin cabinet, mid-field reference monitor with ATL bass loading
Frequency response: 25Hz – 25kHz (- 3dB @1m full space, on-axis)
Analogue/AES3 digital input (16/24-bit, 18 -192kHz sample rate
Active subwoofer with an 8-inch bass driver
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Active 3-way nearfield reference monitor with ATL bass loading
Powered Studio Monitor with 2 x 400W 200mm Woofers,
400W 55mm Midrange, and 400W 27mm Tweeter (pair)
Effective ATL length: 3 meters
ICEPower Class D amplification: 4 x 400W
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Active 3-way nearfield reference monitor with ATL bass loading.
Frequency response: 33Hz – 25kHz (-3dB @1m full space, on-axis).
Supports un-weighted input, 20-20kHz Pink Noise (IEC) with 12dB CF for 2 hours (AES2-1984 duration).
Offers both analog and AES3 digital input (16/24-bit, 18-192kHz sample rate).
Equipped with the SoundAlign network control interface for single or group EQ and settings.
Features a sophisticated DSP crossover, driver protection, EQ, and delay/polarity options.
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ICEPower Class D amplification: 200W (LF), 200W (HF) for powerful and efficient performance.
Newly designed PMC 150mm woofer for improved bass response.
PMC 27mm soft-dome tweeter for detailed high frequencies.
Wide frequency response of 45Hz–25kHz (+/- 3dB) for accurate sound reproduction.
Utilizes an Advanced Transmission Line (ATL) with an effective length of 1.8 meters for exceptional bass extension and tonal balance.
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4-in/4-out USB 2.0 audio interface compatible with Mac, PC, iPad & iPhone.
Class-leading audio conversion for exceptional sound quality.
Vintage Mic Preamp mode delivers rich tube-style sound.
76 Compressor provides studio-quality clarity and punch.
Includes a suite of industry-leading music production software.
₹ 40978₹ 43135
2-in/2-out USB-C audio interface with dual microphone preamps.
High-quality analog circuitry and exceptional 24-bit/192kHz AD/DA conversion.
Vintage Preamp Mode for tube-like saturation using solid-state electronics.
Integrated analog compressor with 3 presets based on the classic 1176 design.
₹ 33202₹ 34950
1-in/2-out bus-powered USB 2.0 audio interface for Mac, PC, iPad & iPhone
Class-leading audio conversion
Vintage Mic Preamp mode for rich tube‑style sound
76 Compressor for studio-quality clarity and punch
Curated suite of industry-leading music production software
₹ 22097₹ 23260
2-in/2-out USB 2.0 interface for Mac, PC, iPad & iPhone
Superior audio conversion quality
Vintage Mic Preamp mode for tube-style richness
Bundle of top-tier music production software
₹ 20985₹ 22090
1-in/2-out USB 2.0 interface for Mac, PC, iPad & iPhone.
Top-notch audio conversion quality.
Vintage Mic Preamp mode for classic tube-like sound.
Bundled with top-tier music production software suite.
₹ 15437₹ 16250
Choose from optical compression, VCA compression, or both in series, for unprecedented dynamic control with a mastering-grade signal path
Optical section provides smooth, program dependent leveling, just like a classic audio leveler from the late-’60s
Discrete section gives you the fast, precise sound of a classic VCA compressor
Sidechain frequency filter prevents frequencies below 90Hz from triggering compression for tighter-sounding mixes
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Module for the API-500 system
The Highest Performance Analog De-esser That Exists.
A “BAD!” HARD CLIP INDICATOR LIGHT alerts the user when hard clipping is about to occur by flashing a “Bad” Clip LED. It checks the DerrEsser’s various sections for any potential clipping.
Industry Standard Api 500 Series Rack Compatible.
6dB of increase is available for UNITY increase IN AND OUT.
Military-grade switches and relays, high reliability components.
Dynamic multifunctional filter – mainly for use as a de-esser
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Discrete construction in Class-A technology
Combines the gain section of the Shadow Hills Mastering compressor with the detector circuitry of the Shadow Hills Optograph compressor
Controls for compression, ratio, filter and output level
4 Selectable compression rates
4 Switchable side-chain filters
Uses handmade iron core transformers
Double module width (requires 2 slots)
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Amazingly low-noise line/instrument preamp
Highpass filter with selectable frequencies
Incredibly tweakable 3-band parametric EQ
Empirical Labs compression, for incredible performance and great character
Mix knob allows for parallel compression
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Superb sound quality and character
Switchable output transformers
Stepped attenuator for gain control
Phase reversible and padable DI and e ngraved front panels
75 ma current draw per module
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1 x Pair of PMC IB1S-AIII Active Monitors (L/R)
1 x PMC IB1 SACIII (C)
2 x PMC Twotwo.SUB2 Active Subwoofer (S)
8 x ci45 custom install speakers (Surrounds/Overheads)
1 x Linea 88 C03 (Amp for ci45)
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Compact, 2-way active monitor designs, employing unique technology in the form of PMC’s ATL design
ATL improves more than just the bass response: because the low end is clean and clear
Deeper,Clearer bass from a smaller cabinet
Advanced Transmission Line (ATL) bass-loading technology, professionally proven all around the world.
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All-tube preamp circuitry for authentic vintage warmth.
Replicates the iconic Putnam 610 console Mic Preamplifier and DI.
Legendary all-tube sound now affordable for project studios.
Gain, Level, and impedance selection for versatile tonal options.
Portable design suited for studio, desktop, and stage use.
₹ 108550₹ 114270
Microphone Input Impedance: Selectable, 500 Ohms or 2k Ohms
Balanced Line Input Impedance: 20k Ohms
Hi-Z Input Impedance: Selectable, 2.2M Ohms or 47k Ohms
Maximum Microphone Input Level: -8 dBu (2K input Imp. & 15 dB Pad in)
Maximum Output Level: 80 Ohms
₹ 180980₹ 190510