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Barefoot Sound MicroMain27 Gen2 10 Inch Active Studio Monitor
- The MicroMain 27 is a huge and uncommon nearfield monitor with remarkable bass extension and fidelity.
- Excellent transient detail, mid-range resolution, and bass timing.
- High SPL capabilities while maintaining spectral balance at low levels.
- 4 setting DSP voice emulation
- Analog and AES3 digital inputs and Hypex amplification
₹1099500 -
Barefoot Sound MicroMain45 Gen 2 Studio Monitor Pair
- MicroMain45 is a three-way active monitor. Controls include an input level stepped attenuator and a voice choice for Multi-Emphasis Monitor Emulation.
- 610W Active Studio Monitor Pair with 8″ Subwoofer, Dual 2.5″ MF Drivers, and 1″ HF Driver
- An 8-inch aluminum cone subwoofer creates tight, powerful low-end all the way down.
- All Barefoot Sound studio monitors include multi-emphasis Monitor
- Emulation, or MEME technology,. The MM45s have a very wide sweet spot for consistent sound in any position.
₹624500 -
RME ARC USB Remote Control for Audio Interface(Fireface UFX+ and TotalMix FX)
- RME Audio Interface Remote Control (UFX+ and UFX II)
- Thirty-six functions, fifteen keys
- DIM Volume, Mono, Talkback, Speaker B, and Snapshots
- Push, Switch, Activate, Deactivate
- Desktop Design Control, Solid Metal Case Driven by Buss Commands & Actions for TotalMix FX
₹16500 -
Flock Audio Patch LT 32-point Digitally Controlled Analog Patchbay
- 32-point Analog Patchbay with Digital Control and Rear Panel DB-25
- Front-Panel Combination Connectors with 16 48V Phantom Power Channels
- Utilizing Windows and macOS Patch App software to control a computer
- Durable 1U rackmount chassis with an 8″ depth
- Routings can be quickly created, saved, and recalled.
₹239990 -
Flock Audio Patch 64-point Digitally Controlled Analog Patchbay
- The most sophisticated 100% analogue patch pay system, handled digitally
- Hardware unit and software mounted on a 19″ rack
- Multiple System Extension—Support for Eight Units
- 31–32 Switchable Inputs and Outputs with the PATCH App
- Front 48V LED Indicator for Front Inputs when Phantom Power is enabled
₹359999 -
RME Fireface UCX II USB Audio Interface
- DC-coupled outputs for CV/Gate voltage control.
- Standalone operation and recording with DURec.
- SteadyClock FS for superior jitter rejection.
- Software control via TotalMix FX, TotalMix Remote, and DIGICheck.
- Optional RME ARC USB for advanced remote control.
₹135000₹157468RME Fireface UCX II USB Audio Interface
₹135000₹157468 -
Rme Babyface Pro Fs USB Audio Interface
- 12 in/12 out USB audio interface with 24 channels.
- 2 instrument preamps and 2 microphone preamps.
- Full SteadyClock FS circuit for minimal jitter and high jitter immunity.
- Reduced AD side latency by 6 samples with improved ADC.
- Durable aluminum chassis, perfect for portable use.
₹75900₹81460Rme Babyface Pro Fs USB Audio Interface
₹75900₹81460 -
RME Fireface UCX USB / FireWire Interface
- 18-channel Hybrid USB 2.0/FireWire 400 Audio Interface with Onboard DSP
- Integrated DSP monitor-controller
- TotalMix FX DSP provides latency-free processing, effects, and monitor mixing
- FireWire 400 and USB 2.0 connectivity
- Can connect to your iPad 2 via the Camera Connection Kit
₹137500 -
RME Fireface 802 Audio Interface
- 30-in/30-out hybrid USB/FireWire audio interface
- 12 x 12 analog I/O for versatile connectivity
- ADAT/SMUX and AES/EBU digital I/O for expanded options
- DSP-driven onboard mixing with effects for latency-free processing
- TotalMix FX mixer enables complex routing and effects
- Control mixes and routing from computer or iPad
- Pristine analog signal path paired with high-quality digital conversion
₹178000₹213562RME Fireface 802 Audio Interface
₹178000₹213562 -
Warm Audio WA12-500 MKII 500 Series Discrete Microphone Preamp with DI
- Utilizes premium-grade input and output USA CineMag transformers
- Fully discrete design with a robust 71 dB of gain
- Utilizes a discrete 6-pin socketed 1731 style opamp – can be replaced with other 6-pin “2520 footprint” pampas for varying tone/flavor
- Tone button – switches the input impedance from 600 Ohms to 150 – changes the tone of both the mic and high-Z inputs
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