32-channel CL Series Digital Mixer with Centralogic Control Surface
72 mono and 8 stereo mixable channels,Flexible networking with Dante
Virtual Circuitry Modeling Technology, and Remote Control via Tablet or Computer
Centralogic UI for straightforward control
Fader configuration: 16-fader left section, 8-fader Centralogic section, 8-fader right section, 2-fader master section .
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Limited edition of only 200 units
Wicked blackout front-panel cosmetics
New capacitive touchscreen with improved contrast and viewing angles
Improved pure analog signal path with for lower noise and better dynamic range
Modern, high-spec components, including Burr-Brown OPA1656 in audio path
Manual and intelligent release modes
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Choose from optical compression, VCA compression, or both in series, for unprecedented dynamic control with a mastering-grade signal path
Optical section provides smooth, program dependent leveling, just like a classic audio leveler from the late-’60s
Discrete section gives you the fast, precise sound of a classic VCA compressor
Sidechain frequency filter prevents frequencies below 90Hz from triggering compression for tighter-sounding mixes
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Parallel Compression/Limiting
Discrete Class A Limiter
Balanced/Transformerless I/O with Quick & Easy Preset
‘KI’ & ‘HARA’ Sounds
Transparent Overload Protection
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Handbuilt, hand-wired multichannel analog compressor for 5.1 surround applications
Eminent sound quality with 6 transformer-balanced audio paths, electronically balanced outputs, and post-output transformers
Flexible sidechain routing and filtering are ideal for broadcast and mastering applications
Threshold, Ratio, Attack, Recovery
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SLAM means stereo limiter and microphone preamplifier
FET Limiters, Stereo Link, and VU Metering
No mic preamps or instrument inputs. Instead the tube sections are paralleled for lower noise and distortion
All pots are replaced with rotary switches for detented resettability and easier calibration
The mastering version has a true hard-wire bypass function, which is not possible on the regular version with mic preamps, etc. What was the Left Bypass, becomes the full Bypass (in stereo and hardwired). No separate L & R bypass buttons
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Two selectable audio paths – vacuum tube & discrete J-FET solid-state
Entirely Class A Twin Topology design
Sets new precedent in equalizer sonic purity
Ultra-premium componentry throughout
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Classic vintage charm from the original Pultecs with the assurance of modern engineering.
Achieving a pristine and pure sound with an exceptionally low noise floor.
Effortlessly recall settings using the user-friendly 21-position stepped switches.
Unleash the full potential of guitars, vocals, woodwinds, and other midrange-rich elements with this outstanding EQ.
Discover new realms of creativity through the versatility of separate boost and cut bands.
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High-performance 32-bit DSP processing and 24-bit, 48KHz sampling
Over 100dB dynamic range with +22dBu headroom
Adjustable input and output levels for optimal signal to noise performance
Low power consumption for cool running
Independent control of each program’s reverberant parameters
Nudge Buttons for easy data adjustment
Alphanumeric program descriptions for effortless memory management
New rotary push encoder for intuitive parameter adjustments by ear.
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The EQ section functions autonomously from the preamp, allowing separate operation.
A center-chassis mounted tube design effectively isolates heat, preventing interference with other 500 modules in the power rack.
Swappable tubes offer the ability to achieve diverse sonic variations.
This amplifier features genuine vacuum tube technology and offers fully adjustable input/output controls.
Equipped with an 80% nickel output transformer and boasting a clean, attractive layout.
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500 Series stereo/dual mono EQ and dynamics module in a sleek desktop chassis
Reshape the sound of your tracks, stems, or mix
100% discrete Class A circuit topology
Stepped potentiometers for repeatable results
Auto-gain feature to control unwanted peaks and gains
Handcrafted in elysia’s factory in Nettetal, Germany
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30Hz, 40Hz, 70Hz, 100Hz shelf boost, 0–13.5dB
30Hz, 40Hz, 70Hz, 100Hz shelf attenuate, 0–17.5dB
1kHz, 2kHz, 3kHz, 4kHz, 5kHz, 8kHz, 10kHz, 12kHz, 16kHz peak boost, 0–18dB
5kHz, 10kHz shelf boost, 0–14dB
5kHz, 10kHz, 20kHz shelf attenuate, 0–16dB
Amplifier: 20Hz–20kHz; +0, -1dB (ref: 1kHz, including input/output transformers)
Input transformer: 600 ohms
Output transformer: 600 ohms
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Single-channel, 2-band equalizer
Boost-only Low-mid band: tight or broad bell-curve boost, 11 selectable frequencies
Boost-only Air Band: boost shelf, 6 selectable frequencies from 2.5 to 40kHz
Input Attenuator gives you 12.5dB of gain reduction
All controls are detented for easy settings recall
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1-channel 6-band EQ
Compatible with all 500 series chassis
XLR I/O
Headroom: +27 dBu
THD: <0.005%
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Inline Architecture and 4 x Stereo Monitor Outputs
Immortal SSL 4000 E Series circuitry
“Black-242” and “Brown-02” twin EQ design
Versatile 4 band channel EQ
Bell curve option on HF and LF
Fully parametric LMF and HMF with Q
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500 Series compressor with 100% Class A circuit topology
THD Boost harmonic enhancement for a grittier sonic flavor
Auto Fast attack always provides a perfect attack
Anti Log circuit generates explicit compression effects such as pumping and breathing
Gain Reduction Limiter lets you select maximum GR with a knob twist
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Module for the API-500 system
The Highest Performance Analog De-esser That Exists.
A “BAD!” HARD CLIP INDICATOR LIGHT alerts the user when hard clipping is about to occur by flashing a “Bad” Clip LED. It checks the DerrEsser’s various sections for any potential clipping.
Industry Standard Api 500 Series Rack Compatible.
6dB of increase is available for UNITY increase IN AND OUT.
Military-grade switches and relays, high reliability components.
Dynamic multifunctional filter – mainly for use as a de-esser
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Discrete construction in Class-A technology
Combines the gain section of the Shadow Hills Mastering compressor with the detector circuitry of the Shadow Hills Optograph compressor
Controls for compression, ratio, filter and output level
4 Selectable compression rates
4 Switchable side-chain filters
Uses handmade iron core transformers
Double module width (requires 2 slots)
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Full session recall and support for DAW automation when loaded in an NG500-compatible chassis like TITAN, or via USB connection
3 touch-sensitive encoders (Threshold, Mix, Make Up) allow you to draw automation into your DAW
True bypass completely removes the circuit from your signal path.
Switchable side chain filters for fine-tuning how the compressor reacts to bass frequencies
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Immortal SSL 4000 Series circuitry
Class A VCA replication
Gate/Expander
Class-A VCA gain stage
True RMS convertor in the side-chain
Based on classic 611E console channel strip
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