500 Series stereo/dual mono EQ and dynamics module in a sleek desktop chassis
Reshape the sound of your tracks, stems, or mix
100% discrete Class A circuit topology
Stepped potentiometers for repeatable results
Auto-gain feature to control unwanted peaks and gains
Handcrafted in elysia’s factory in Nettetal, Germany
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The EQ section functions autonomously from the preamp, allowing separate operation.
A center-chassis mounted tube design effectively isolates heat, preventing interference with other 500 modules in the power rack.
Swappable tubes offer the ability to achieve diverse sonic variations.
This amplifier features genuine vacuum tube technology and offers fully adjustable input/output controls.
Equipped with an 80% nickel output transformer and boasting a clean, attractive layout.
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High-performance 32-bit DSP processing and 24-bit, 48KHz sampling
Over 100dB dynamic range with +22dBu headroom
Adjustable input and output levels for optimal signal to noise performance
Low power consumption for cool running
Independent control of each program’s reverberant parameters
Nudge Buttons for easy data adjustment
Alphanumeric program descriptions for effortless memory management
New rotary push encoder for intuitive parameter adjustments by ear.
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Classic vintage charm from the original Pultecs with the assurance of modern engineering.
Achieving a pristine and pure sound with an exceptionally low noise floor.
Effortlessly recall settings using the user-friendly 21-position stepped switches.
Unleash the full potential of guitars, vocals, woodwinds, and other midrange-rich elements with this outstanding EQ.
Discover new realms of creativity through the versatility of separate boost and cut bands.
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Two selectable audio paths – vacuum tube & discrete J-FET solid-state
Entirely Class A Twin Topology design
Sets new precedent in equalizer sonic purity
Ultra-premium componentry throughout
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SLAM means stereo limiter and microphone preamplifier
FET Limiters, Stereo Link, and VU Metering
No mic preamps or instrument inputs. Instead the tube sections are paralleled for lower noise and distortion
All pots are replaced with rotary switches for detented resettability and easier calibration
The mastering version has a true hard-wire bypass function, which is not possible on the regular version with mic preamps, etc. What was the Left Bypass, becomes the full Bypass (in stereo and hardwired). No separate L & R bypass buttons
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Handbuilt, hand-wired multichannel analog compressor for 5.1 surround applications
Eminent sound quality with 6 transformer-balanced audio paths, electronically balanced outputs, and post-output transformers
Flexible sidechain routing and filtering are ideal for broadcast and mastering applications
Threshold, Ratio, Attack, Recovery
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Parallel Compression/Limiting
Discrete Class A Limiter
Balanced/Transformerless I/O with Quick & Easy Preset
‘KI’ & ‘HARA’ Sounds
Transparent Overload Protection
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Choose from optical compression, VCA compression, or both in series, for unprecedented dynamic control with a mastering-grade signal path
Optical section provides smooth, program dependent leveling, just like a classic audio leveler from the late-’60s
Discrete section gives you the fast, precise sound of a classic VCA compressor
Sidechain frequency filter prevents frequencies below 90Hz from triggering compression for tighter-sounding mixes
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Limited edition of only 200 units
Wicked blackout front-panel cosmetics
New capacitive touchscreen with improved contrast and viewing angles
Improved pure analog signal path with for lower noise and better dynamic range
Modern, high-spec components, including Burr-Brown OPA1656 in audio path
Manual and intelligent release modes
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32-channel CL Series Digital Mixer with Centralogic Control Surface
72 mono and 8 stereo mixable channels,Flexible networking with Dante
Virtual Circuitry Modeling Technology, and Remote Control via Tablet or Computer
Centralogic UI for straightforward control
Fader configuration: 16-fader left section, 8-fader Centralogic section, 8-fader right section, 2-fader master section .
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Nondestructive editing with unlimited undo
Multitrack recording up to 32-bit/192 kHz
Automatic plug-in delay compensation
Ableton Link integration , MPE support
MIDI remote control instant mapping
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Multitrack Audio recording and MIDI sequencing of software and hardware instruments
Unique Session View for nonlinear composition, flexible performance and improvisation
Real-time warping of audio: automatically sync music and loops, regardless of tempo
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ICEPower Class D amplification: 200W (LF), 200W (HF) for powerful and efficient performance.
Newly designed PMC 150mm woofer for improved bass response.
PMC 27mm soft-dome tweeter for detailed high frequencies.
Wide frequency response of 45Hz–25kHz (+/- 3dB) for accurate sound reproduction.
Utilizes an Advanced Transmission Line (ATL) with an effective length of 1.8 meters for exceptional bass extension and tonal balance.
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Active 3-way nearfield reference monitor with ATL bass loading.
Frequency response: 33Hz – 25kHz (-3dB @1m full space, on-axis).
Supports un-weighted input, 20-20kHz Pink Noise (IEC) with 12dB CF for 2 hours (AES2-1984 duration).
Offers both analog and AES3 digital input (16/24-bit, 18-192kHz sample rate).
Equipped with the SoundAlign network control interface for single or group EQ and settings.
Features a sophisticated DSP crossover, driver protection, EQ, and delay/polarity options.
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Active 3-way nearfield reference monitor with ATL bass loading
Powered Studio Monitor with 2 x 400W 200mm Woofers,
400W 55mm Midrange, and 400W 27mm Tweeter (pair)
Effective ATL length: 3 meters
ICEPower Class D amplification: 4 x 400W
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Combines the PMC6 monitors and PMC8 SUB
midfield monitor performance in a compact system
3-way active, twin cabinet, mid-field reference monitor with ATL bass loading
Frequency response: 25Hz – 25kHz (- 3dB @1m full space, on-axis)
Analogue/AES3 digital input (16/24-bit, 18 -192kHz sample rate
Active subwoofer with an 8-inch bass driver
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Combines the PMC 6-2 midfield studio monitor with two PMC 8-2 Sub
To create a powerful, full-range monitoring system with superior clarity and resolution.
3-way active, twin cabinet, mid-field reference monitor with ATL bass loading
Frequency response: 25Hz – 25kHz (- 3dB @1m full space, on-axis)
Optional dedicated 19” floor stands
Sophisticated DSP crossover, driver protection, EQ, and delay/polarity options
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Combines the PMC6-2 midfield studio monitor with two PMC 8-2 Sub
To create a powerful, full-range monitoring system with superior clarity and resolution.
3-way active, twin cabinet, mid-field reference monitor with ATL bass loading
Frequency response: 25Hz – 25kHz (- 3dB @1m full space, on-axis)
Optional dedicated 19” floor stands
Sophisticated DSP crossover, driver protection, EQ, and delay/polarity options
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LAN control with web-based interface
8 AES/EBU I/O on DSub 25
8 ADAT or 2 SPDIF I/O on TOSLINK
RAVENNA-AES67 I/O on RJ45
Sync options: LTC, MTC, VideoRef, Wck (requires CON-D15-VTC cable)
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